A Basic Parisian House Stuffed With Fashionable Design

IN THE FALL of 2019, the architect and designer Sophie Dries, 35, and her associate, the sculptor Marc Leschelier, 37, moved right into a two-bedroom Haussmannian condo in Paris’s eleventh Arrondissement, not removed from the town’s historic Place des Vosges. For a number of months, they lived nearly completely with out furnishings or family comforts, save for a mattress on the bed room flooring — which doubled as a hangout space and residential workplace — and two dinner plates. They’d no real interest in shopping for stopgap gadgets and wished to take time to acquaint themselves with the area earlier than making it their very own. “We’d utterly keep away from the lounge, although,” Dries says. “It was so empty, it had an echo.”

However the couple weren’t precisely beginning with a clean slate. The 1,450-square-foot second-floor condo is an archetypal Nineteenth-century Parisian house, full with all the trimmings of the period’s refined, ornamental structure. The ten-foot-high ceilings have ornate, botanically themed moldings; the partitions are wainscoted; and the flooring retain their unique geometric two-tone marquetry. On the western finish of the 376-square-foot lounge, there may be an elaborately sculpted marble hearth inscribed with the 12 months of its creation, 1853, and on the adjoining wall a row of floor-to-ceiling French home windows open onto a balcony overlooking the broad, tree-lined boulevard under. The house, in different phrases, was designed to be a luxurious backdrop for the gilded commodes and carved-leg bergères of its time. However Dries and Leschelier — who met not lengthy after they each graduated from the structure program at Paris’s École des Beaux-Arts — had a wholly totally different imaginative and prescient for it. “We wished to create a conflict between this bourgeois typical Haussmannian house and up to date furnishings and concepts,” says Dries. “We stay on the previous continent, and we love its sense of historical past, however we’re younger — it’s vital to have that paradox.”

SINCE FOUNDING HER namesake structure and design studio in 2014, Dries has constructed a portfolio of residential tasks in Paris — together with a minimalist penthouse on the Rue Saint-Honoré for a pair of artwork collectors and an elegantly stripped-back two-bedroom close to the Canal Saint-Martin for a younger couple who work in vogue and tech — that every function a deft portrait of their residents whereas reflecting Dries’s personal pursuits in combining pure traces with wealthy textures and strange supplies. Together with his uncooked large-scale sculptures — usually pavilion-esque concrete types — Leschelier equally seeks to introduce a way of spontaneity and experimentation into the architectural course of. This shared sensibility, which rejects hierarchies of previous and new, type and performance, is obvious all through the pair’s house. Starting in December 2019, they slowly furnished the condo, which has a conventional round format — a lounge and a eating room lead off an entryway, and the extra non-public rooms, together with the bed room and a nursery for the couple’s 3-month-old daughter, Daria, movement into each other from there — over a two-year interval, mixing items by designers similar to Philippe Starck and Ettore Sottsass (acquired principally by Paris-based gallerists, together with Paul Bourdet and Yves and Victor Gastou) with Dries’s personal handcrafted creations.

Preparations have been usually knowledgeable by affinities that Dries or Leschelier seen between seemingly unrelated gadgets. In the lounge, for instance, the couple paired a eating desk with a wavy-edged oval oak high, and tubular rusted metal legs by Dries with a set of Starck’s ’80s-era metal Von Vogelsang chairs for Driade. A ten-by-6 1/2-foot framed print by Ryan McGinley depicting three nude figures sprawled throughout a sand dune covers nearly your complete south wall. Dries shared pictures of the room with the British designer Max Lamb, who then created a slablike rubber espresso desk for the area in a complementary shade of peanut butter brown. The piece now sits beside a crescent-moon-shaped modular couch, designed by Dries and upholstered in deep aubergine velvet, that like the ground is comprised of oak however in a extra up to date burled veneer.

Leschelier additionally contributed customized works to the lounge: two console tables composed of steel-topped stacked cinder blocks sealed with overflowing mortar that sit on both aspect of one of many French home windows. Dries, too, usually elevates uncooked, humble components in her apply and counts the postwar Italian Arte Povera motion, which championed on a regular basis supplies, and the minimalism of the French Modernist inside designer Jean-Michel Frank amongst her references. “Frank was a punk of his time, and I usually surprise what he’d do right now,” she says. For the couple’s bed room, a heat however restrained refuge outlined by earth tones and pure textures, she used a slap brush to use an natural, craggy white plaster end to the tall built-in closets, and she or he had curtains comprised of roughly woven hessian, a material usually utilized in upholstery. The sun-flooded eating room, adjoining to the lounge, options one in all her brass Glow chandeliers, designed for the lighting firm Kaia, whose egg-shaped glass globes are topped with molded papier-mâché circumstances. And for the small galley kitchen on the far finish of the condo, she selected a blue-gray polished concrete to cowl the counter tops and flooring, a refreshing departure from the beige and white palette her shoppers so usually request.

Dries and Leschelier share an appreciation for works with a humorousness. They’re followers, for instance, of the expressive method of the Italian designer Gaetano Pesce, and one in all his anthropomorphic, brightly coloured hand-poured resin No one’s Excellent chairs sits — close to an opulent purple and inexperienced tufted wool rug by Dries for Nilufar Gallery that evokes an otherworldly animal pelt — within the nook of the condo’s vestibule, a hushed, jewel-box-like area the place the couple’s eclectic tastes are most totally on show. To amplify the room’s intimate, denlike really feel, Dries upholstered the partitions in jade inexperienced Japanese straw. Then, taking inspiration from the Barnes Basis in Philadelphia — by which previous masters and private curiosities amassed over a long time by the early Twentieth-century collector Albert C. Barnes are displayed aspect by aspect — she hung among the couple’s smaller-scale artworks salon-style throughout them. A spiritual engraving by the German Renaissance grasp Albrecht Dürer, inherited from Leschelier’s maternal grandmother, seems not removed from {a photograph} of an English breakfast by the British photographer Martin Parr; an engraved panorama by Dries and Leschelier’s shut good friend the French conceptual artist Laurent Grasso offsets a floral nonetheless life by the younger Azerbaijani painter Niyaz Najafov. “The room has no operate, however it’s our favourite,” Dries says. “We wished to search out an absurd means of placing issues collectively with none considered worth.”

Now that the lounge not has an echo, the couple make full use of it by internet hosting associates for aperitifs. Whereas neither claims to be a terrific cook dinner, they each enjoyment of sharing a bottle of Chablis — or, when the event requires it, a gin and tonic or two — with their family members, and it’s on this room, too, that they spend essentially the most time with their daughter. However for Dries, the household’s house can be an expert manifesto of types, a approach to illustrate {that a} extra idiosyncratic residing area can maintain nice attract. “My shoppers may be too afraid to do a lot of the issues right here,” she says. “But when they see them within the context of a conventional condo, they could change their minds.”

Photograph assistant: Lilly Merck A Basic Parisian House Stuffed With Fashionable Design

Fry Electronics Team

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