Entertainment

Augmented reality theater began to bow. In your kitchen.

When the pandemic closed UK venues in March 2020, Coffey accelerated plans to turn “All Kinds of Limbo” into a home-like experience. The retooled version could be watched through AR on a mobile device, via a VR headset, or on a regular computer. Brandon’s performance remains the same, but depending on the device used, the experience will be subtly different.

To capture some of the theater’s shared intimacy, it was ticketed and broadcast live, even though the show was taped. The virtual attendees are represented by moving blades of white light and, By playing with the settings, you can move around the space and watch the action from different angles.

It’s a short one, but “All Kinds of Limbo” feels like the sparkle of a new art form: somewhere between music videos, video games, and live variety shows.

Over the past few years, the British theater scene has become a testing ground for similar experiments. Last spring, the Royal Shakespeare Company co-produced a vivid digital work called “Dream” features actors performing using motion capture technology and can be viewed via smartphones or computers. Other projects, such as performances by the Almeida theater in London and Dreamthinkspeak company in Brighton, England, requires participants to come in person and be equipped with a VR headset.

Francesca Panetta, a VR producer and artist who was recently appointed curator of alternate reality at the Sheffield DocFest film festival, said in a video interview that practitioners from audio, game , stage, TV and other art forms have collaborated like never before. “Many different people are trying to explore this space and figure out what it really is,” she said. “No one is certain.”

One of The most awaited partnership among the Punchdrunk role-playing troupe, pioneering location-specific live shows such as “No more sleep” and “The Masque of the Red Death” in the mid-2000s, and tech company Niantic, best known for the wildly successful AR game Pokémon Go.

https://www.nytimes.com/2022/01/21/theater/national-theater-immersive-storytelling-studio-all-kinds-of-limbo.html Augmented reality theater began to bow. In your kitchen.

Fry Electronics Team

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