Fitzgerald is known for his popular jazz era piece “The Great Gatsby,” while Faulkner is best recognized for Southern gothics such as “As I Lay Dying.” Fitzgerald had success writing credits in the late 30s, including “Three Comrades” and “Winter Carnival,” but didn’t make a big splash in Hollywood.
On the other hand, Faulkner has a close working relationship with famous director Howard Hawks. The novelist has assisted Hawks in some of his more popular films, including “The Big Sleep” and “To Have and Have Not,” both of which star Humphrey Bogart and Lauren Bacall. Faulkner worked with the Hawks on something like “half a dozen paintings,” says the director BFI. “I could call him any time and ask him to do a scene, and he always gave it to me,” Hawks insisted.
As Wilder puts it, novelists and other artists “will all put their fingers in the pie, but not with any real interest” (via FilMagicians). Some directors may have been angered by this hypocritical act, but Wilder saw it as an opportunity to prove them wrong. “They will look down on the movie, that’s my pleasure,” he said. “People looked down on movies as a third-rate until, thank God, who invented television. Now we have something to look down on.”
It is a skeptical worldview, but an accurate one. The advent of television certainly enhanced the artistic prestige of cinema. Likewise, the growing popularity of reality television in the ’90s led to more respected viewing of narrative drama, giving way to shows like “The Sopranos”. It’s hard to imagine that “Double Indemnity” was “Jersey Shore” back then, but history is funny that way.
https://www.slashfilm.com/936538/billy-wilder-thanks-tv-for-making-movies-less-low-brow/ Billy Wilder Thanks TV for making it less bad