When you’re an actor, you learn how to do a bunch of different things that you never thought you’d learn. Well, if you’re a dedicated actor, that is. Actors learn to ride horses, play musical instruments, sew clothes, make furniture, etc. Whatever the role requirements, they spend time and effort in research and training to be able to emulate them. passively on the screen. In some cases, they actually do very well what they are asked for for a role.
It’s no surprise that Cate Blanchett is a devoted actor. Her eclectic figure and breathtaking performances are proof of that. Her latest film “TAP” is no exception. The Todd Field TV series receives positive reviews on its current film festival circuit, including Marshall Shaffer of Main/Film, which sees Blanchett take on the lead role of Lydia Tár, the conductor. As you might expect, this required Blanchett to prepare for the role by learning how to behave.
I can be optimistic here, but I don’t think conductors get the respect in the popular scene that they deserve. I think a lot of people see them standing on the podium, waving a stick around and thinking they’re not doing that much. Instrumentalists are “real” artists. Behave is really a very difficult job. They are not there to maintain the tempo of the music. They are there to combine the sounds of dozens of musicians into a cohesive whole. It’s not an easy feat, and for Cate Blanchett to be able to visualize the temperament of a conductor, she needs to actually conduct the right orchestra.
Finding the middle ground in conflict comfort zones
The orchestra Todd Field used for “TASS” was the Dresdner Philharmonie, which has been around since 1870 and is now conducted by Marek Janowski. This is not a collection of extras made to look like they are musicians playing mime. Performing in this orchestra is what these guys do, and Cate Blanchett had to be prepared to conduct with them. Even further than that, she got to play Lydia Tár. In an interview with PlaylistsShe recalls her experience of finding a connection with the Dresdner Philharmonie:
“When you raise your hand, you start to get frustrated, and the sound kicks in, and you find your own way with them. So they have to act. It’s out of their comfort zone, and I having to conduct them, which was also outside of my comfort zone. And so, somewhere, like any conductor in an orchestra, somewhere between us, the music happened.”
Her intensity with the way she perceives the music the orchestra plays pretty much determines her performance. Blanchett explained that Tár “was the child of deaf parents” and “had an acute sensitivity to sound.” If you’re playing someone like that and are just a few feet away from dozens of musicians performing at your command, you’ll feel the music in every inch of your body. Just from the brief shots of Blanchett in the trailer, you can see she doesn’t hold back anything physically. Those glimpses are an exciting sight now, and I can’t wait to watch the entire movie to feel the impressive weight behind her lead.
https://www.slashfilm.com/1039018/cate-blanchett-actually-conducted-an-orchestra-in-preparation-for-tar/ Cate Blanchett actually conducted an orchestra in preparation for Tar