Creating a 3D sequel to Friday the 13th is a challenge for director Steve Miner

The concept of holograms has been around since the 1800s, but the 1980s saw a resurgence of the concept in mainstream cinema. Unfortunately, this enthusiasm for offering a unique movie-watching experience has not been helped by a state-of-the-art 3D system that smoothly transforms 2D action sequences into convincing 3D footage. Take “Amityville 3-D” as an example: moviegoers were given polarized lenses for an enhanced experience, but the lenses are not suitable for film at all, as they cause the film to look skewed and distorted on the screen. The same can be said of “Jaws 3-D” – all you have to do is watch this sceneand imagine how gimmicky it must feel to people viewing it in 3D.

Miners talked to Fangoria on the issues that come with 3D technology in the 21st issue of horror magazine. The director explained the 3D systems were “all hard” to navigate, so the only option was to choose a system that caused the least amount of trouble in production. He say:

“There’s nothing modern about being interested in 3-D because all the systems are from backyard inventors who are putting them together. We felt that the Marks system would give us little. the most problematic in production and would actually be the easiest to use, and I don’t think it was a bad decision. I think it went very well.”

While the 3D effects in “Part III” aren’t devastating at all, it doesn’t enhance the atmosphere or the visuals in any way. The miner acknowledges this by adding that a “really good 3-D system [is] not yet invented” and that he will want to apply the engineering know-how in a better way in the future. Creating a 3D sequel to Friday the 13th is a challenge for director Steve Miner

Fry Electronics Team

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