You’ll feel silly, Angela Trimbur promises.
It was a Sunday, and Trimbur, a dancer and choreographer in an ’80s leotard worthy of Jane Fonda, leading a class in a studio in midtown Manhattan. Nearly 50 people were captivated by her pitch: an afternoon of turning away in an involuntary but very purposeful motion. The goal, says Trimbur, is to get the excitement of kids taking part in a backyard dance performance.
“We’re equal, we’re 13, and we’re going to do some silly choreography to show our parents before dinner,” she said. “It’s the vibe.”
To ease the inhibitions, Trimbur suggested that some people scream. And hug a stranger. The dancers – wearing everything from ballet slippers and ripped tights to Converse and pillowcases – were instructed to run around the room, lamenting each other’s faces, then embracing. I was in: It felt great and powerful and it was ridiculous. The energy is equal to the eighth grade gymnastics section and the right affirmation.
Then the habit, came a 1986 cover of “You lifted me up.” “I don’t mind,” said Trimbur, directing us to smack our ass, roll on the ground, swap kicks, punches, and turns. Her references are Balanchine less and more “Ace Ventura: Pet Detective” – she also choreographed for the faces. She wrote in her newsletter: “FYI is disappointed that they are dancing wildly.
Intuitive, low-stakes and accessible Trimbur champions have found a new audience during the pandemic, as dancers and dance teachers move online. Ryan Heffington – facts pop choreographer whose Los Angeles studio, Sweat Spot, has helped the “one place, all” dance culture flourish there – already tens of thousands of followers (among them Trimbur) during her Instagram Live sessions he in the early closed. Even as brilliant as Debbie Allen two steps to the feed, find an unexpected communion, even though people are literally dancing on their own.
Among these blossoming teachers and influencers, and legion of creators do for them move into the meme on TikTok, Trimbur, 40, stands out. Bolstered by a taste for privacy and self-expression, she navigates fluidly from her sweaty classroom via her phone screen to her ambitious project – dance is her public relief. her to physical and emotional upheavals. However, she makes it fun.
“For her, it’s really endorphins, the feeling that you’re in love, that kind of thing, that she can create,” says filmmaker Miranda July, a friend and collaborator. Evan Rachel Wood, another friend and creative partner, trusts her completely: “I She said, “but I would never show it to anyone – except Angela, because that is the energy that Angela brings. It’s about authenticity. ”
An unreleased, short dance film, “Unauthorized”, choreographed by Trimbur and directed by Wood, is set against songs from Fiona Apple’s 2020 album “Fetch the Bolt Cutters” . In solos and with other artists, some traditional dance stars and some don’t, Trimbur leads the way in shots of the Los Angeles cityscape and its dusty pubs. It begins to move with sweet musical precision and transforms into something wilder, more feminine and beautiful, mingling with the dynamics and rebirth of male-female power. Wood and Trimbur did it as a way to deal with the pandemic and other struggles, they said.
Trimbur’s work is brimming with empathy for those, who, like her, are striving, July said. “All they have is their own body, which doesn’t work perfectly and can fail them in a million different ways, and they’re still alive, and she’s alive, and that’s the content of it. dance – all is well there with her.”
The fact that she weathered all her ups and downs on Instagram has earned her close to 100,000 followers. In the midst of an explosive dance pandemic on social media, even established artists have found a new place. In spite of Heffington commercially successful and spent a decade developing Sweat Spot (it closed during the pandemic), he said. global response, overwhelming to SweatFest, his Instagram series, which changed his life. It has redefined for him what is possible in removing its element of threat, turning it from perfection, and helping his followers find joy. (It also raises substantial charity funds.)
“It’s not how high you kick, it’s how flexible you are – there are no traditional rules or metrics that matter, in this new wave of thinking and that includes people,” said Heffington, who planned to quietly start teaching again this month, said in a phone interview. “It’s just because you want to do it; that’s enough. Lower the bar – bury it – and allow people to come and just join. “
In Los Angeles, where she lived until the end of last year, Trimbur has built a reputation as a community dancer, host “Lightly guided dance party” at Geffen Contemporary at the Museum of Contemporary Art, and evokes viral dance video even before TikTok. (She is also an actress, most recently she played an influencer on inline skating “Search Group” HBO Max’s dark comedy.) She created and for six years led a girls dance team performed at local basketball games and inspired intense devotion from fans and members.
That crew and other friends embraced her when, in 2018, she was diagnosed with breast cancer and underwent a mastectomy, chemotherapy, and then six more surgeries. Reconstructive and related surgery. She record her treatment online, become a lawyer to other cancer patients and establish a support network through the video messaging app Marco Polo (about 500 people joined, she said).
Amid Trimbur’s health and the pandemic, the dance team has disbanded. But after last summer’s “Search Party” shoot made her fall in love with Brooklyn — “I’ve never felt this alive, you know? New York is magical” — she’s wrapped up 15 years living on the West Coast and her two pet parrots, and moving out, now she’s starting her career over here, from a Bushwick loft she’s been decorating in black and white High-gloss to resemble an 80s nightclub. There were plenty of disco balls, 1981 Vogue hanging atop a leopard-shaped coffee table, and a boxy white TV/VCR was in the box. her childhood bedroom When I met her at home for an interview, she appeared in VHS “Dirty Dancing”.
She choreographed in studio-style mirrors that she installed and taught a Zoom dance-fitness class – recently called “apathetic aerobics”, for when you can’t manage the heat of regular intense workouts. (It is set to emoji.)
Trimbur is also developing a TV show about her life for a cable network, she said, as a producer in July. They met when July cast her as a dancer on YouTube in her 2011 film “The Future”; Then they discovered a mutual relationship of real estate sales and started stealthily record impromptu scenes over there.
“She is a really special combination of innocence and straightforwardness,” says July. “Sometimes she’ll say something and I just want to write it down, because it’s perfectly placed, but not the therapeutic version of it, a rarity these days.”
Trimbur grew up outside of Philadelphia, where her mother runs a dance studio – “When she picks up the phone, it’s like” Pitter Patter Dance Studio, where everyone is the star! “” Trimbur and her sister, Colleen, were exemplary of its students, learning all the routines. But when Trimbur was about 12 years old, her mother became one of Jehovah’s Witnesses, closing the studio and sending the children out of school. Trimbur’s formal dance education largely ended after that, but she spent hours at home, filming herself dancing – just like now.
“The way I like to think of dance is a version of myself, like, stuck in my living room, just dancing to Mariah Carey,” she said. “That’s what gives me joy, just being free and not having to think about the right move.” However, New York’s diverse dance scene offered new possibilities, and Trimbur envisioned taking Broadway-style classes and staging adult solos in auditoriums. school. (A Valentine’s Day couple dance event she organized for the Bell House in Brooklyn, which quickly sold out.)
Dancing through and after cancer has been a revelation of its own. Host of “Light Guided Dance Party” during chemotherapy, she sometimes has to step off stage to regain her energy, she said, but she has no regrets about the gig. Dancing, she said, “is my way of talking to myself.” She and Wood made Fiona Apple short just before she removed the implants; As a dancer, says Trimbur, “they just feel like a stapled Tupperware.” During her treatment, she also had her ovaries removed, so the film is an emotional memento, one of her last when working with her old body.
“I could feel it watching Angela dance – I totally understood that was how she handled things,” Wood said.
Trimbur begins his live classes with practitioners in the fetal position for womb-like meditation, followed by close listening, saying, “Beautiful” by Christina Aguilera. It’s not uncommon for people to cry, she said.
She wants to unlock them from those emotions when they start to wobble: “Strange, girls, get weirder!” she praised, in the class that I attended.
In another class, she instructs, “there’s a part in the song where you’re going to throw yourself on the floor like a toddler” has a tantrum – “but the face is so cute.”
“I wanted to just be able to make people laugh through the dance without being too, like, honking, honking,” she tells me, mimicking a sly comedian with sniffing movements. There’s a sense of forsaken glee in that Manhattan studio – I’ve rarely seen so many students smiling among reps – when the screams are mixed with giggles.
Her New York dancers were hooked. “It’s like a church,” said Chelsy Mitchell, 32, a dance novice who has been coming every week since Trimbur started her Sunday classes, an hour and a half from her house to the suburbs. “Dance therapy.”
Catherine McCafferty, a 20-year-old comedian and actress, had been practicing ballet and other dance for 18 years when she walked into Trimbur’s studio for the first time that afternoon. She came because she liked what she saw on Instagram, but she was also new to New York and worried that she wouldn’t measure up. Instead of feeling judged, she feels liberated. “The only eyes on you are so many other people who want you to shine,” she says.
For Trimbur, that authentic atmosphere is paramount. She said: “I get so frustrated when someone says things like, ‘I can’t dance,’ or they say, ‘I’m the worst’ or ‘nobody wants to see me do that. “It’s sad because I know, scientifically, how happy you can be if you allow yourself to move.”
https://www.nytimes.com/2022/02/18/arts/dance/angela-trimbur-online-dance.html Dance class in session: Flail, Get Weird, Unlock Yourself