Evaluation: In Miami, a ‘Swan Lake’ That Blasts Off the Cobwebs

Siegfried, when he steps in to companion her, touches her gingerly. After a flip he stills her physique by holding her wrists, that are prolonged in a V overhead. It’s so fragile, this bond that they’re forming; it’s all about belief. And all through, lovely pantomime, easy but clear, lends the dancing a uncommon form of poetic prowess and urgency. When Odette crosses her wrists in entrance of her physique, it means demise, and he or she isn’t ethereal about it. There’s no grey line. Demise means demise.

In fact, Odette loses her religion in Siegfried after he meets Odile, Von Rothbart’s misleading daughter, within the ballroom scene. Right here, Ratmansky steers away from black swan imagery — Odile’s darkish featherless costume is washed in shades of inexperienced and purple like an iridescent fish dipped in glitter. (The thought is correct, nevertheless it regarded a little bit low-cost.) Siegfried, overcome by her likeness to Odette, begs her to marry him, which, after all, is the mistaken transfer.

As Odette, Carranza was competent if a little bit vague, and her Odile lacked dazzle. However it was nonetheless enthralling to look at the choreography unfold, together with a pose in her pas de deux with Cerdeiro during which her leg was prolonged in arabesque as he knelt earlier than her. Immediately, she let go of his palms and dropped hers on his entrance knee. It was so peculiar, but it made sense. In a means, it’s a part of her seduction: Odile, forcibly, pins Siegfried down.

However the energy of Ratmansky’s “Swan Lake” lies in his use of teams. The Act 1 peasant waltz — during which dancers step on and off footstools, elevating their arms excessive and low — is essentially the most uplifting factor you’ve ever seen till moments later when a maypole is erected and layers of dancers swirl round it to create a human carousel. The images they kind are so jovial, so candy. A part of this has to have one thing to do with how heat and gracious these Miami Metropolis Ballet dancers are. As George Balanchine as soon as mentioned, dancing Tchaikovsky’s ballets is like flying. They fly.

https://www.nytimes.com/2022/02/13/arts/dance/swan-lake-miami-city-ballet-review.html Evaluation: In Miami, a ‘Swan Lake’ That Blasts Off the Cobwebs

Fry Electronics Team

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