Frank is the central figure of it all: the founder and leader of Victory, whose vision affects the daily lives of all the inhabitants of the town. Initially, the film sees Frank as a distant, invisible character. He was the man on the top of the mountain, accessible only for a moment. In the end, however, Frank becomes Alice’s direct rival in the cat-and-mouse game her life becomes.
It’s a bigger-than-life character that demands a bigger-than-life performance. The thing about Chris Pine’s work, however, is that while it absolutely sings when the occasion comes, it doesn’t always reach those heights. Here, Pine is something of a cast-against-type option. He’s made a career playing all those people who, despite their charisma, feel approachable, understandable, and vulnerable. Frank retains that charm, but Pine is asked to make it dangerous and mysterious.
There are moments in the film that feel like watching a new side of Pine unfold in real time; Who knew his smile could be so scary, or his close-ups so scary? But there are also moments where the gamble doesn’t quite work out, such as Frank’s speech at his house, which is more like a department manager’s rambling than a villain’s introduction. powerful. Inconsistency is the word here: For all the astonishing elements of Pine’s performance, Frank didn’t always feel like a man who could feasibly inspire respect. fervently devoted. But in the scenes where he does what? Oof.
https://www.slashfilm.com/1033927/every-main-character-in-dont-worry-darling-ranked-worst-to-best/ Every main character in Don’t Worry Baby, is ranked as the worst