The most memorable part of doing “Rushmore” for Anderson was going back to where he grew up. “We did ‘Rushmore’ in my high school, so the strongest association for me was going back to the classroom, basically. You know, literally in the same classroom,” he said. he explained. Shooting “Rushmore” in the same place where Anderson himself grew up may have allowed him to access Max’s mindset more easily. “The thing that probably bothers me the most when I think back is that I went home,” concludes the director.
Houston, Anderson’s hometown, has always been a major influence on his filmmaking. “I think Houston has a very deep cultural tradition. We have great museums and we always have a lot of movies here. I think it’s a very good place to start,” he said. Problems in Houston. The messy layout of the city may even have influenced his distinctly symmetrical cinematography. “Maybe if you felt chaotic as a kid… you want to organize, you want to make it neater,” suggests Anderson.
Max and Anderson have a lot in common, even going to the same high school, but the director has no intention of making “Rushmore” autobiographical. He wanted his work to speak for who he was as a teenager, not to reflect it, and he succeeded. “If I saw this movie when I was 15 years old, it would be my movie. That would change me,” he said. Charlie Rose triumphantly.
Shooting at his old high school in Houston made “Rushmore” a deeply personal film for Wes Anderson, and this intimacy is evident on screen. The filmmaker’s connection to the characters, setting, and story makes for an unforgettable work that has given rise to his signature style of director – or, as he call ithis cinematic “handwriting”.
https://www.slashfilm.com/1042308/filming-rushmore-was-an-unexpected-homecoming-for-wes-anderson/ Filming of Rushmore was a surprise return for Wes Anderson