He denied that Ambrose’s selection was the problem, while agreeing that it was part of the reason investors hesitated. “Some people held back because they thought it was a big budget,” Boyett said. “And some people who have done such an incredible job taking on a role the first time it’s hard to think they’ll be replaced.”
In a 2018 interview, Ambrose recalled the shock. “We have two weeks until rehearsals,” she said. “Obviously it’s silly, but as an actor, really, it’s easy, it’s easy. These things, they come together and they fall apart all the time.”
She has been nominated for a Tony Award. Bartlett Sher is her director.
Calling in London
Sonia Friedman, now a powerful producer in London and New York, appreciated “Funny Girl” when she heard her sister, Maria Friedman, perform “Don’t Rain on My Parade” in concert.
She said she first offered the rights in the late 1990s, proposing a “popular” version, intended for British audiences, that would put the story, not the spectacle, front and center. mind – and will be a vehicle for Maria, by then a London stage star.
“It seemed like it could happen,” Friedman said, “and then Maria got pregnant. She moves on, I move on.”
Still, Friedman kept walking around, asking questions. “Like all the things you discover when you get into this industry,” she says, “it can take a very long time from discussing with rights holders to actually signing a piece of paper. ”
https://www.nytimes.com/2022/02/23/theater/funny-girl-beanie-feldstein.html Find ‘Funny Girl.’ Final. – The New York Times