‘This world alone’
A post-apocalyptic future in which advanced technology has somehow disappeared is a pervasive nightmare – or perhaps, given the growing number of people, it is a pipe dream. No more internet, no more electricity, no more cars: We’re going back to buttery flirting and reading old fashioned classic novels.
We can also be forced to kill a beloved pet so we can eat it, as happens with Sam (Belle Adams) and her pig in the first scene of the series. Movies by Jordan Noel. Sam’s mother (Carrie Walrond Hood) wants food, but also to teach her daughter to be tough enough to survive.
As the young woman sets out to find emergency antibiotics, she stumbles across 18-year-old Dart (Lau’rie Roach) who is the equivalent of the Amish ruminant, except he must survive on his own. 30 years old. day.
Dart lives in New Macedonia, a settlement whose rather antiquated ideas about gender roles clash with Sam’s quest for independence, leading to tense, quiet conversations.
The film turns its minimal budget into an asset and applies a simple, almost Vérité style to its exploration of religion and spirituality. It also shows that post-fall normalcy can be merciless for some but offer a fresh start for others. Aside from the occasional clumsy scenes, “This World Alone” is quietly thought-provoking.
If “This World Alone” Happens “After Autumn”, Drew Mylrea “Last Survivors” is set as “after the wars”, with an almost identical premise, if reversed, This time the family member is male, with a young avid reader (he loves “The Swiss Family Robinson”) goes to find medicine on his own and meets an elderly woman instead of a boy.
Troy (Stephen Moyer, of “True Blood”) raised his son, Jake (Drew Van Acker), in a remote compound in the mountains after technology was wiped out by what sounded like World War III. . As usual with this kind of premise, the more obscure the context, the better – especially since you also don’t have to pay for large-scale destruction shots, or even bother with car news footage. rising rolling or cloud of atoms.
Jake was instructed to distrust the outside world and kill strangers. Fortunately, he disobeys his father’s orders when he strays into the house of Henrietta (Alicia Silverstone). Their relationship is at the heart of the story – well, it’s and is an episode that any viewer with half a brain cell can see a mile away – and the performance isn’t fully decorated. Silverstone’s influence fueled the film. If a fictional global conflict is needed to make us rediscover this actress, it’s worth it.
‘Wolf is rising’
Speaking of telegraphed twists, there’s a stupidity in Antaine Furlong “Wolf is rising,” but it is semi-periphery to the action in contrast to the fundamental role it plays in “Last Survivors”. Just go along and pretend to be surprised.
This supernatural action drama revolves around Aria Wolf (Charlotte Best), who we first meet tied, blindfolded, and gagged in a high-tech elevator serving a Shanghai building that is still under construction. build. She quickly tries to free herself from her limitations, but her problem isn’t over: Aria can’t get out and endures a mysterious presence that sends the elevator into a series of downfalls. defying gravity and climbing steep slopes. Worse still, the screen inside shows Aria’s father (Jonny Pasvolsky) being brutally tortured by Russian bad guys in real time.
This is a pretty standard one-room thriller premise, but it’ll be interesting when the film (titled “Ascendant” in its native Australia) adds flashbacks to young Aria (Tahlia Sturzaker) and her twin sister. Hers is Zara (Karelina Clarke), who appears to have special powers.
Don’t try to stick to the plot, as it seems the writers themselves (Furlong and Kieron Holland) didn’t. What matters is the great rewards and class performance from Best, who deserves to be a new heroine for the YA audience.
The hottest article in this month’s sci-fi selection under observation is this brazilian movie in which a car becomes sentient. Director Renata Pinheiro managed to come up with a personal take on an idea that has perpetuated films like “Christine,” “Crash,” and “Titane” (which has just landed on Hulu).
Five movies to watch this winter
Uno (Luciano Pedro Jr.) may have been born in his father’s cab, but that doesn’t mean he wants to get into that faltering business. Instead, he decided to go research sustainable agriculture, adding environmental concerns to the already overcrowded film.
At the same time, Uno’s uncle, Zé (Matheus Nachtergaele), a brilliant mechanic, builds a gizmo that can translate the sounds of a car engine, its growls, and its revs into speech. . (Zé also enjoys pole dancing, a detail that would be a highlight in any other film, but is only noted as quirky in the song “King Car.”)
Finally, King Car’s new, now-going talking car, began to record it in front of everyone as a bossy revolutionary, or perhaps a cult leader: “I am the bright headlights of The universe!” It can also be frugal, like when it seduced concept artist Mercedes (Jules Elting) in a rather memorable sex scene.
As you might have guessed by now, this movie works best when you surrender to its surreal universe.
‘He is my man’
There’s a great scene in this Charming German comedy in which Tom (Dan Stevens) orders a coffee at a nice location, then makes small talk with a stranger. That’s all that happens, but the moment is compelling: Tom, you see, is an Android. He is accurate and capable of interacting with people, but is also a bit misguided.
Tom has been assigned to spend three weeks with Alma (Maren Eggert) in a face-to-face test of his human abilities, after which she will write a review. “My algorithm is designed to make you happy,” he told her. But is perfection a great idea? Not necessarily for Alma, who, frustrated with Tom’s concern, says “You can’t stop doing things right?”
Director Maria Schrader (also the person behind the excellence “Unofficial” series, as well as an actress for three seasons “Deutschland”) revolves around a delicate story that revolves around what we expect from our lovers and life in general; In the process, she deftly breaks the rules of romantic comedy.
And she couldn’t have done it without the good reaction between Stevens (who speaks excellent German) and Eggert – who previously confirmed, after “Legion” and “Eurovision Song Contest: The Story of Fire Saga” ,” that he became one of our best daring actors. If you find yourself liking them as a couple, uncomfortable questions will be inevitable.
https://www.nytimes.com/2022/02/18/movies/sci-fi-movies-stream-now.html Five sci-fi movies to stream now