‘Become the truth’
At one point in Anthony Scott Burns’s deeply disturbing movie, an influential character of science fiction writer Philip K. Dick. It’s a tough reference point to set for yourself, especially since the film explores one of Dick’s favorite themes – the porous frontiers of reality. To my surprise, “Come True” met the challenge.
Teenage girl Sarah (goblin, magnetic Julia Sarah Stone) tries to live a normal life despite being shunned by her mother, for unknown reasons, to the point where she has chosen to be homeless. Enrolling in a sleep study can help solve two of Sarah’s problems at once: finding a semi-regular bed and figuring out why she has nightmares – dream scenes The film’s elaborate design is absolutely terrifying.
“Come True” borrows from science fiction, psychology, and horror to take viewers on a journey to the outer limits of the unconscious. It bravely refuses gentle explanations, or even offers a general road map – it’s as slippery and disorienting as a dream. Of course, this is just a mild reflection of the hell Sarah is going through, but it really creates a constant state of fear for the viewer; Best of all, “Come True” is reminiscent of Jonathan Glazer’s cult darling.”Subcutaneous. And the final blow will make your head spin.
Let’s take one thing out: For the most part, Lisa Joy’s directorial debut was not greeted with rave reviews.
But viewing “Reminiscence” — which Joy, the co-creator of the “Westworld” series also wrote — with an open mind reveals a misunderstanding of the film’s essence.
Set in a future Miami half-flooded by rising water, the film has a puzzling exterior: Hugh Jackman’s Nick Bannister is a brooding investigator whose specialty is time, not space. He and his partner, Watts Sanders (Thhandiwe Newton), help people regain and relive their memories, no matter how sunken they may be.
But if you’re hoping for a future poet or a sci-fi allegory about climate change, you’re bound to be disappointed: “Flashback” is a romantic tale, despite its setting. in a soggy world. It completely preoccupies Nick’s obsession with Mae (Rebecca Ferguson), a glamorous singer plying her trade in businesses from Miami to New Orleans. He couldn’t stop thinking about her, and his biggest obsession was finding her again. If anything, the film sits at the unexpected center of a Venn diagram that combines Alfred Hitchcock’s surrealist exploration of the psychoanalytic unconscious, “Spellbound,” and tales of passionate love. by Nicholas Sparks. Simple thrillers don’t all work, but scenes dealing with the weight of love do.
Some house cleaning: There are quite a few movies called “Coma,” so make sure you look for recent Russian movies. And if you like the popular English dub subtitles, check out the version Free streaming (with ad breaks) on IMDb TV.
Not the dialogue in all that matters in Films by Nikita Argunovoften looks like a drawing MC Escher comes to CGI life.
One day, a group of cold-hearted strangers save Viktor (Rinal Mukhametov) from menacing creatures that appear to be made up of black dust. His new friends bring Viktor to safety in a universe where the laws of physics don’t apply – many blocks of entire buildings float upside down, bridges fly through the sky and interconnecting islands. aerial island. This is a world made up of what goes on in the minds of people who are in a coma, an illusory reality that feels unfinished because it is based on partial awareness of that collective brain. (Obviously, the space inside represents the space outside in this week’s column.)
While this may sound as complicated as “Tenet,” the film has a certain playfulness that challenges the concept of highfalutin. The visuals can sometimes lack a certain depth, but the 2-D feel has a particularly fun old-school appeal, as if the actors are agitated against the painted backdrop. Plus, a lot of footage shows the group trying to get rid of those black assholes, known as the Reapers. Sometimes all you need is a good chase scene, even if it’s pretty messy.
This clumsy independent british is streaming for free on Vudu with ad timings, giving you seconds to grab a drink and puzzle out an existential mystery: How a filmmaker can set the mood so precisely and create such complete films, while at the same time tolerating such an inexperienced approach to action, to put it mildly?
Five movies to watch this winter
Police officer Zoe Norris (Katherine Drake, stubborn with blank expression and flat voice) isn’t particularly thrilled to be dispatched to deal with a suicide case, but the situation she finds at a secluded home is even even more difficult than expected. Naturally, communications go down, as they won’t when visitors from somewhere other than Earth come to visit.
Yes, we’ve seen variations on this premise dozens of times, but writer-director Neil Rowe has handled it very well, especially when considering what must have been a micro-budget. Rowe has a keen eye and delivers impressively austere visual compositions. The first half of the film also moves with the economic grace of a good 1970s B, which is commendable.
As we see giant, enigmatic human figures speaking of rural landscapes, gliding through armies of metal-like robots, we realize that it is humans who are to blame for the most damage: The outbreak The title’s outburst refers to a suicide epidemic.
Rowe is a bit off the skateboard as he digs deeper into the plot, but he still manages to summon some shockers, including a warehouse scene that makes no sense and affects everyone at once. . I’m not entirely sure I understood the ending, but it certainly left me reeling.
‘The Door to Summer’
Science fiction can be pretty grim these days: Writing this column often means walking down dark streets dotted with extinction events, pandemics, technology at work, and what happens when The sun threatens to destroy humanity. So it’s a relief when gravity hits, especially if there’s an adorable cat.
The cat’s name is Pete and he was an essential ingredient in Takahiro Miki’s faithful adaptation of a Novel of the same name by Robert Heinlein from 1956. This Japanese series, which is streaming on Netflix, actually features two main characters named Pete: the cat and a robot, PETE-13, who looks after the robot Soichiro (Kento Yamazaki, of the robot). Netflix sci-fi series “Alice in Borderland”) when he wakes up in 2025 after 30 years living in cryosleep. Soichiro tries to find out what happened to the people he knew over the decades – the people he loved and the people who betrayed him.
All of that, and even time travel.
Admittedly the film takes its sweet time setting the plot moving in the early scenes that take place in 1995 – there’s a thin line between the light pacing and the slow paced. But it all pays off when the passive Soichiro begins to take a more active part in his own destiny.
Miki gets a little emotional when it comes to what is essentially a decades-long romance, and the artfully complex Yamazaki makes for a compelling lead well worth a start.
https://www.nytimes.com/2022/01/21/movies/streaming-science-fiction-movies.html Five sci-fi movies to stream now