Henry Silva, One of Cinema’s Last Badasses, Gone

I have Quentin Tarantino to thank for my love for Henry Silva. Many, many moons ago, Tarantino went to Austin and showed his personal collection of 16mm and 35mm prints of his favorite films, all in support of the Austin Motion Picture Association. If it weren’t for the puzzling movies from the 50s, 60s, and 70s with Tarantino recommending them all, like the most excitable film professor ever, I probably wouldn’t play it. shows how bad Henry Silva is. , most likely only recognizing him from the original “The Manchurian Candidate” or possibly one of the villains in “Dick Tracy.”

When we acknowledge his contribution to the art of cinema after he passed away at the good age of 94, perhaps it’s best to make it clear that Silva is a ruthless presence on screen. He looked like a killer and that inherently terrifying presence was the foundation of his massive career that spanned from 1950 to 2001.

Being a bad mother is the best guarantee for an actor’s job because movies always need good villains. He was a staple of western movies and crime images until they fell out of style, and then he turned to gangster movies of the 1970s, followed by genre series that dominated those 80s and early 90s. From comedies for children to the most violent crime movies ever made, Silva is there.

From Sinatra to Seagal

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Silva’s most prestigious role was probably that of Chunjin in the original “Manchurian Candidate” from 1962. Though problematic by today’s standards, Silva’s Sicilian and Hispanic heritage has gives him a unique enough look when he plays a South Korean guy who is secretly a Communist spy. This is one of his three screen appearances with Frank Sinatra. He had a small role in “Ocean’s 11” in 1960, and then reappeared with the entire Rat Pack in “Sergeant’s 3” West in 1962.

While he was prolific in the 1950s and ’60s, going up against big-screen icons like Randolph Scott in “The Tall T” and Gregory Peck in “The Bravados,” his real time to shine. It came in the 1970s when Hollywood underwent a radical change. The strict Hayes Code was lifted and audiences demanded more realism and violence from their motion pictures.

Some of the hottest movies showing at drive-in shops around the country are Italian crime movies, and one of the kids who ate them all was young Quentin Tarantino. He shared that love with Austin audiences by showing his personal prints of “The Boss” and “The Italian Connection,” both directed by the great director Fernando Di Leo.

It’s as if Silva was born to be an assassin and both of those movies take full advantage of that, creating the kind of supportive John Wick-type character that you’re totally, positively, under any circumstances which, and if you do. .. well, then you will get what you deserve.

Gangster And Hitmen

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These Italian crime movies are sexy, violent, brutal, and built to entertain loud crowds.

If you’ve been to the Alamo Drafthouse and watched one of their comedic “No Talking” PSAs taken from old movies, you may have seen a bit from “The Italian Connection,” where Silva sits in a chamber. show bandits watching porn together (hey, it was the 1970s). He slowly loads what can best be described as an RPG shooting rifle, and then blows up the entire cinema.

It’s kind of ridiculous we’re talking about, but it’s part of one of cinema’s weirdest and most exciting eras. Tarantino hints at the prevalence of the Italian genre in his own “Once Upon a Time in Hollywood” when Leonardo DiCaprio’s Rick Dalton arrives in Italy and creates what feels like a half-dozen movies about the West and crime. offense.

Although Silva never appeared in “Once Upon a Time in Hollywood,” it’s safe to have Rick Dalton co-star with him in at least one of those films.

Trusted desktop threat

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As the 1970s gave way to the ’80s, Silva worked more than ever, jumping from genre to genre, but always playing the part of a tough bastard. He was tasked with hunting down the cannibal gator in “Alligator,” opposite Steven Seagal in 1988’s “Above the Law,” and appeared alongside Chuck Norris in “Code of Silence.”

As he got older, he only became more threatening on screen and all of that seemed to culminate when he played. Affect in the 1990 movie “Dick Tracy”. That man had a face like an evil henchman, and when you put on ridiculous makeup, make-up and super cool, the result is a villain. Epic comics for all time.

Silva worked throughout the ’90s on films that are barely out of date, but he had a final one-two punch in the late ’90s and early ’90s. He appeared in “Ghost Dog: The Way of the Samurai” in 1999 and appeared as one of the last surviving actors of “Ocean’s 11” in George Clooney’s remake of “Ocean’s Eleven” that year. 2001.

Silva was a one-of-a-kind actor, and his passing will be mourned by movie fans around the world.

Continue reading: The best movies of 2022 so far

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https://www.slashfilm.com/1012512/henry-silva-one-of-cinemas-ultimate-badasses-has-passed-away/ Henry Silva, One of Cinema’s Last Badasses, Gone

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