How AR Video Walls completely changed the filming of A Star Trek Show [Comic-Con]

During the “Star Trek” Universe panel at San Diego Comic-Con, several actors and creators talked about how to use this new technology. “What is gradually replacing green screen technology in our industry,” said Anson Mount, who starred on “Star Trek: Strange New Worlds.” Instead of having the actors perform in front of a screen where the images were then brought in, the CG environment was created before the production started shooting. “The computer program that controls it also sees through the camera,” says Mount. “So when the camera moves, the background can move to make it look as far or as close as you want.”

Not only does this help give the appearance of realism (we’ve all seen an old movie set in motion in the car window), as Mount put it, “It just gives a size for the show that we’ve never had before.” Early seasons and “Star Trek” movies are often shot in the desert to create the appearance of planets, but with ARWalls, there’s no limit. for creativity. It’s also a great treat for the actors because, as Mount put it, “It allows us to be in the world and not have to build it while we’re acting.” Screenwriter and executive producer Alex Kurtzman echoed those comments, noting that using ARWalls also allowed them to shoot on a much wider camera lens than was previously used in the shows. “Star Trek”, as there is no need to “hide” the actual setting or location. limitations. Thanks to ARWall, “Star Trek” allowed the cast and crew to enter a strange new world of their own. How AR Video Walls completely changed the filming of A Star Trek Show [Comic-Con]

Fry Electronics Team

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