How Birdman Changed Edward Norton’s View of Filmmaking

There are many other examples beyond those listed above, especially when digital cameras are allowed to shoot movies in seemingly endless amounts without having to worry about running out of physical film. In recent years, many filmmakers have experimented with the format, leaving both dramatic theatrical dramas and high-octane action movies with no visible editing. Perhaps most famously, Sam Mendes’ “1917” (2019) and Alejandro González Iñárritu’s “Fantastic Bird-Man (Sudden Virtue of Ignorance)” (2014) were the “best” films to receive. received a lot of attention from the Academy Awards. The first film was nominated for Best Picture and the latter won.

“Birdman” is an interesting movie to say the least. Michael Keaton plays an actor named Riggan who is trying to break free from his connection to the popular superhero series from 20 years ago. He is outraged that actors – no matter how dignified and respectable – are cast into a cinematic superhero machine. To maintain his dignity, and to remind himself of the depth of his craft, Riggan aimed to make the title of a Broadway play. While preparing for the play, Iñárritu’s cinematographer, Emmanuel Lubezki, made the films – which look like a scene – many “real-time” conversations about the nature of acting. The fact that the Academy awards Best Picture to a film clearly affirms that cinema is superior to cinema and that superhero movies are a turning point in the industry.

In “Birdman,” Edward Norton plays Mike, Riggan’s overconfident, blushing co-star whose demeanor resembles a deliberate caricature of… Edward Norton. Norton, in a 2014 interview with Interview Magazineself-realization is the philosophy of Iñárritu’s one-off approach and how it allows for a certain kind of cinematic ecstasy.

https://www.slashfilm.com/1021815/how-birdman-changed-edward-nortons-filmmaking-perspective/ How Birdman Changed Edward Norton’s View of Filmmaking

Fry Electronics Team

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