How Sidney Lumet used the one-room setting of 12 angry men to his advantage

In the film, as expected, the jurors failed to reach a unanimous vote right out of the gate. While the original 11 votes were guilty, one vote eventually turned into two, and then three, etc. The jurors became frustrated with each other and tempers flared as they began to feel imprisoned in the process. deliberation room (a juror had tickets to the Yankees game but couldn’t go until a verdict).

Lumet sought to emphasize this sense of attraction by using certain camera angles. The first time I watched “12 Angry Men”, I didn’t care that much about the movie. However, I have noticed that the camera moves around a lot as it follows one talking character to the next, which I assume is done to keep the viewer engaged in the scene. room. But when I watched the film for the fourth or fifth time, I realized the camera movements were more complex and strategic than that.

Lumet used different levels of eyes to create tension. As the film progressed, the director switched to longer lenses to make the room appear smaller and smaller. “Make it more oppressive,” Lumet once said, by Cinephilia & Beyond. “Makes the ceilings feel lower, makes it seem like the walls are closing in on them. We’re not kidding anyone. We’ll be in one room. Use it sparingly! “ How Sidney Lumet used the one-room setting of 12 angry men to his advantage

Fry Electronics Team

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