Software for “Thor: Love and Thunder” ahead.
In “Thor: Love and Thunder”, the children of New Asgard are kidnapped by Gorr the God Butcher (Christian Bale). When Thor (Chris Hemsworth) and his crew came to their rescue, he gave them all the power from Zeus’s lightning (Russell Crowe) to help fight back. It’s a lovely scene, reinforcing the idea that anyone can be a hero.
The crew came up with an interesting technique to shoot the scene, according to an interview with Marvel Entertainment’s YouTube Channel with Jake Morrison, the film’s visual effects supervisor. It involved lighting the scene in such a way that they didn’t need to recreate the kids as CGI characters, and could use real actors. Considering the backlash on social media about too much CGI in the film and recent complaints from VFX teams working with Marvel about the time they spend on their work, this technique could be of use. again.
Morrison gives a rather technical answer to the question of creating new technologies and techniques for Thor: Love and Thunder, but we can break it down for you.
‘It’s never quite like a real kid’
Morrison explains that when you see children’s CGI versions, “it never looks like a real child.” He went on to explain that they developed a system where they shot the scene and illuminated the young actors from four different angles at the same time. This system allows the effect team to “split it, and then you can use any light.”
In the video you can see this in action, with shots of the same child illuminated in different ways. Obviously, the stuff attacking the kids isn’t real, and sometimes when you do a scene like this, the choreography changes. If you’re drawing children in CGI, you can change the lighting in the computer. However, if you light them from all angles, and you can actually choose which version to use, you can move the monsters around.
Morrison explains that when “the kid goes and slams a monster here – and it splashes and you get hit in the face by lightning, what kind of light on the kid’s face would actually be if that happened. But we can choose later.” Audiences appreciated the fact that the technicians could create anything with effects, they were savvy enough to recognize when VFX was being used too much. level. Being able to use real kids, who can express emotions in such realistic and powerful ways, gives something more polished to the finale.
According to Morrison, it was director Taika Waititi who wanted them to find new technology and “push things forward – and we’re proud of that.”
“Thor: Love and Thunder” is currently in theaters.
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https://www.slashfilm.com/960617/how-thor-love-and-thunder-avoided-the-need-to-create-a-bunch-of-cg-superpowered-kids/ How Thor: Love and Thunder avoided the need to create a bunch of CG superpowered kids