Ingrid Bergman had to test the waters before trusting the Hollywood system

In the late 1940s, World War II ended. European cinema flourished, telling emotional stories of post-war life. Nowhere do you find this more than the realist movement in Italy, and one of its most famous is the director Roberto Rossellini, who wonderfully chronicled the harsh aftermath of World War II in masterpieces like “Rome, Open City” and “Paisan.” Ingrid Bergman is a huge fan of Rossellini’s films and wanted to work with him. So she went back to Italy and made “Stromboli”, released in 1950.

Notoriously, Bergman and Rossellini began an affair during the making of “Stromboli” and had a child. The scandal was so terrible that she could not return to the United States for many years. So many people feared their voice or their looks would cause the public to reject them as an actor, but it was American destructive purism that did this. Bergman remains in Europe, working with her current husband Roberto and several other European filmmakers. Ironically, this is something she always found herself doing with her career, but it ended up being forced on her. She didn’t make another Hollywood film until her relationship with Rossellini was essentially over, when she appeared in 1956’s “Anastasia,” which won Bergman a second Academy Award. .

Once she can return to the good graces of Hollywood, Ingrid Bergman is essentially capable of going and doing what she pleases. It could be in Hollywood, Europe, or the theater. If that part is worth her time, that’s what she’ll do, and that mentality lingers into her later years, too. Bergman has seen the highs and lows of the entertainment industry and consistently delivers outstanding work, no matter where she works. Ingrid Bergman had to test the waters before trusting the Hollywood system

Fry Electronics Team

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