Kamasi Washington sparks a new era and adds 13 new songs

Los Angeles-based spiritual jazz saxophonist and renaissance artist Kamasi Washington, 40, made her late-night U.S. television debut this week, performing on “The Tonight Show Starring Jimmy Fallon.” With more than a dozen instrumentalists and singers staging around him on stage, all clad in the white and gold of the desert, he presented a new composition, “The Garden Path.” “. Basic musical components of Washington constant since the release of “The Epic”, his breakthrough album: multi-rhythm funk and rock rhythm; a full blast of horns on a fleshy rhythm section; little harmonic movement or melody in the theme of the song. The biggest source of magnetism here comes from the lower right: It’s the voice of Dwight Trible. Lost with no way / To get out of this misery. ” GIOVANNI RUSSONELLO

Jamaican Fire Brigade Koffee, who made history as the youngest person and first woman to win a Grammy for best reggae album of 2020, has good reason for her triumphant track on “Pull Up,” the disc. beautiful new single from her long-awaited debut album, “Gifted,” due March 25. A loose beat from master Anglo-Ghanian producer Jae5, dripping between Afrobeats and reggae; in the video, Koffee grins from ear to ear, mouth full of braces, as she leans out of the window of a drifting car and lets the line falter: “0 to 100 in 2 / Yeah, so I flex you.” ISABELIA HERRERA

A love song in which both MGK and Willow fall for the expressive girl who is just out of reach, sulkily celebrating her the way 1950s songs hailed the prom queen. If this doesn’t inspire and serve as the soundtrack to an awkward meet-cute Netflix teen rom-com this time next year, I’ll cancel my subscription! JON CARAMANICA

Songs on Lucy Dacus’ 2021 album, “Home Video”, revisited childhood memories, many of them brimming with difficult self-discoveries. “Kissing Lessons” is more fun. It’s a two-minute pop-punk flashback to second grade and learning to kiss from a girl a year older, sharing childish thoughts on what adult love is like: a piece Interesting introduction, short, full of fun. PARTS

Tate McRae has a dry, witty voice that’s perfect for this persuasive punk-pop song about envy: “If you say she has nothing to worry about / then why would you? close your eyes when you say it out loud?” CARAMANICA

With every single she releases from her upcoming album “Squeeze,” Los Angeles artist Sasami Ashworth presents another sub-branch of rock that she can express in an effortless and unconventional style. “Say” as an industrial manufacturer, “Skin a Rat” flirt with metal and “The greatest” Infatuated with some slow-burning garage rocks. Her latest work, “Call Me Home,” is a lush, nostalgic explosion of AM-radio hallucinations, showing that she has yet to show many sides of her eclectic talent. mine. LINDSAY ZOLADZ

The track moves effortlessly, with light boom-bap beats, piano notes, leisurely guitar chords, and string breaks. Arlo Park tried to keep her voice nonchalant. But she all knows that her romance is coming to an end: “Has something changed? Did I miss the memo? She was broken, and all she could do was beg her lover, “Please gently break it for me.” PARTS

A talented soul singer hidden in country music, Kassi Ashton sings with resonant serenity on “Dates in Pickup Trucks,” a lovely gentle song about what to do when absolutely nothing. have something to do. CARAMANICA

Obongjayar is Steven Umoh, who was born in Nigeria and moved to London in his late teens. He will not be restrained; “Try it,” from his debut album slated for release in May, dances between a spacious, almost orchestral atmosphere to electronic R&B that gently crop up to toast. Deep congratulations on a big, longing chorus with Afrobeats voices. “All we do is try,” he sings, and has clear ambition in every stylistic leap. PARTS

My Idea is a duo of two famous New York-based indie musicians who are also friends: Nate Amos of experimental dance band Water for Your Eyes and Lily Konigsberg of rock-rock artist Palberta (who also released it). an excellent solo album, “Lily We Need to Talk Now,” late last year). “Cry Mfer,” from the upcoming album of the same name, is less confrontational than its title, centered around a repetitive, hypnotic track and Konigsberg’s reflections on a broken relationship: “I am may be the one that makes you cry, i may be the one that makes you – ouch. “ZOLADZ

To describe the genre of her eclectic Illuminati Hotties project – or perhaps just to draw attention to the absurdity of the genre itself – Sarah Tudzin coined a term: “gentle”. “Sandwich Sharer,” her latest single, swings endlessly between the two adjectives. At first, it seemed like this song would show off the softer side of the Illuminati Hotties: “We Started Kissing,” she begins with a slow-motion, surprisingly plucked chord. . But before listeners can get to that tempo, Tudzin suddenly kicks the song into a gallop, punctuated by her humorous lyrics (“You think I’m bleeding but that’s just is my skin!”). Tudzin often paints vivid and lifelike portraits of modern human relationships, and the shape-shifting nature of “Sandwich Sharer” captures the feeling of a constantly changing relationship. ZOLADZ

Though Weather is a new pseudonym for British electronic musician Loraine James, who thrives on creating disco beats that she distorts with gaps, alternations, and ending changes. disorienting structure. “17ºC” – from an upcoming album of songs named after temperature – takes on the rhythms of hisses, bangs, boos and pops, but continually disassembles and improves upon it: with gaps of reverb, with street and party noise, with eerie vocal syllables, with keyboard clusters, and with sudden drumming. The beat persists, even if it’s just implied. PARTS

For nearly two decades, Peruvian label Buh Records has performed esoteric and cutting-edge Latin American sounds, from forgotten sonic legends of the ’70s to contemporary vocalists. That quest returns in its latest release, a collection of new faces in the Peruvian electronics scene. “Reconciliación Con la Vida”, its highlight, exhibits a wide range of emotional textures. Lying somewhere between profound tragedy and unrelenting wonder, the tender piano keys and bleeding highs and lows become trembling beauty. It’s intimate but heartwarming, like the soft caress of a lover you may never see again. HERRERA

“Historical Music of the Tense Past of the Future” is the first in a planned series of albums on the Black Editions Archive label that will exploit previously unreleased live recordings of Milford Graves, the drummer and conductor passed away last year amid the re-emergence of his career. It was the first album to feature Graves alongside saxophonist Peter Brötzmann and bassist William Parker – all pioneering lions. The third of four freestyle, quarter-hour-long improvisations, “Side C” begins as a quiet conversation between Graves and Parker, then is brightened by Brötzmann’s catchy saxophone . Midway through, Graves guides things back to smoldering, Brötzmann walks out, and Parker begins playing a repetitive, rhythmic drone, almost like something you’ll hear in a ritual. Gnawa. Stroking his deep resonance, manual change drums, Graves brings the energy back slowly by playing around Parker’s zither, adding rhythms to keep his drone dancing. RUSSONELLO

https://www.nytimes.com/2022/02/04/arts/music/playlist-kamasi-washington-koffee.html Kamasi Washington sparks a new era and adds 13 new songs

Fry Electronics Team

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