One of Steven Spielberg’s warmest, autobiographical films [TIFF]

Written by Spielberg and his best screenwriter partner, Tony Kushner, “The Fabelmans” got off to a rocky start. After an adorable scene when a young Sammy, our Spielberg avatar (played by Mateo Zoryna Francis-Deford as a child), watches his first movie on the big screen – “The Greatest Show on Earth” – and panic and fear, the film develops rather abrasively. Sammy’s life at home is loving but chaotic, and everyone, especially his sisters, seems to screaming all the time. This is one of the most anticipated movies of my year, and I find myself getting over my insecurities in these early scenes, worrying that Spielberg has missed a step. Thankfully, “The Fabelmans” has finally found its groove, because of course it does. I should probably be ashamed to have doubted the conductor. Sorry, Steve.

Sammy’s father Burt (Paul Dano, who exudes a calm charm here) is a loving but workaholic who is often away from home, working on advanced computer technology with his friend. longtime Bennie (Seth Rogen). Burt is a scientist and an analyst, but Sammy’s mother Mitzi (Michelle Williams) is what you would call a free spirit. Like Sammy, she’s an artist – she plays the piano, and dreamed of doing it professionally before having kids. It’s clear that part of “The Fabelmans” is a love letter to Spielberg’s mother, but Williams’ performance has never really impressed me, even though I consider her a remarkable actress. . Mitzi’s alcoholism is alluded to, and her often troubled mental state is highlighted. But Williams decided to play this role to the hilt, will big, goofy, and fall into hysteria over things that aren’t particularly fun. Intentionally or not, it’s a bit nerve-wracking.

But the movie finds its footing as Sammy has grown into a teenager, played by Gabriel LaBelle, who is so likable here that I hope he gets to work with Spielberg again. Sammy is obsessed with filmmaking and he does so often, using the cameras of his father and his friends as extras, and creating bigger and more elaborate films when he is getting better and better. All of the childhood films on display here are direct re-enactments of films that the young Spielberg made himself and it was a pleasure to watch the filmmaker bring to life the work of his youth. me. He is reliving his childhood and taking us with him. And it’s not a dissenting journey at all. One of Steven Spielberg’s warmest, autobiographical films [TIFF]

Fry Electronics Team

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