Preparation is key to Sidney Lumet’s filmmaking style

In “Filmmaking”, Lumet bluntly punctures the concept of “cinematic magic”. Here’s how to make sausage. As is the case with most films, Lumet shoots sporadically and intermittently. “We went around [deliberation room] three times: once for normal lighting, a second time when rain clouds gather, altering the quality of light from outside, and a third time when the overhead lights are on. [Lee J. Cobb] Arguing with Henry Fonda will obviously have Fonda shots (to wall C) and Cobb shots (to wall A). “

Simple enough, right? Not when your heavyweights — Cobb originated as Willy Loman in Arthur Miller’s “Death of a Salesman,” while Henry Fonda, you know, Henry Fonda — was filmed a week apart. .

“But that’s where the rehearsals are invaluable,” says Lumet, describing the hectic schedule:

“After two weeks of rehearsals, I had a complete chart in my head of where I wanted each emotion in the film. We finished in nineteen days (one scheduled day) and the budget was 1,000. dollars. Tom Landry said. : It’s all in the preparation. I hate the Dallas Cowboys, and I’m not too crazy about him and his short-brimmed hat. But he nailed his head. That was in the preparation process. The mountains of preparation kill the spontaneity? Not at all. I find that to be the exact opposite. When you know what you’re doing, you feel much more free to improvise.”

https://www.slashfilm.com/942078/preparation-was-the-key-to-sidney-lumets-filmmaking-style/ Preparation is key to Sidney Lumet’s filmmaking style

Fry Electronics Team

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