“You can do anything with visual effects right now,” Bayona told the outlet, explaining that it’s worth asking yourself what story the visuals are trying to tell. “I mean, if you can imagine it, you can do it. The point is, what are you looking for with that visual effect?” The filmmaker, who directed the first two episodes of “The Rings of Power,” has an impressive track record when it comes to VFX-enhanced human stories: in 2012, the series “The Rings of Power” His Impossible” was praised for creating an on-screen event. tsunami with a combination of reality and digital effects.
Bayona celebrates the developments in the visual effects field in recent years, saying that “lots of different tools” help filmmakers make the final product feel more real, including pre-image tool. Pre-viz is the process of seeing what a shot will look like before it’s actually shot, usually through digital rendering. The director also singled out motion control shots as an area that had previously been flattened, explaining that the “Rings of Power” team made a brand new camera to improve the process.
Motion control involves capturing the same shot setup twice, but with different subjects or characters on the screen each time, which are then combined into a single shot through effects. special response. “There was a lot of motion control shots, because we needed to play with different proportions, different proportions between characters in the same shot,” explains Bayona.
In a series featuring elves, dwarves, and dwarves, there are a lot of scenes that require actors to look taller or shorter than they really are. Performers on the series told /Film that production used realistic methods wherever possible, with Elrond actor Robert Aramayo describing the setup involving him on a his ladder and mount on the stool.
https://www.slashfilm.com/1028522/the-rings-of-power-needed-non-existent-camera-tech-to-capture-its-vfx-shots/ Rings require Camera Technology that doesn’t exist to take its VFX shots