Roma’s kit realism has become an obsession for Alfonso Cuarón

The IndieWire article also reports that Alfonso Cuarón called his relatives to find out where every piece of his childhood furniture ended up; in the end about 80% of what appears on screen is something Cuarón climbed as a child. While the house he and Eugenio Caballero built in the end was correct, it also needed some special architectural improvements to ensure a movie could be made there. As such, the second floor of the house has modular walls that can be raised above the pulley system to let in more natural light. Perhaps one can assume that Cuarón did not grow up in a home that was open to the outside world.

Finding other authentic parts of Rome isn’t too difficult; Cuarón simply visited his old stamping facility and brought a camera. For intact neighborhoods, it’s just a matter of dressing to make them look like the 1970s. However, this won’t work for Avenida de los Insurgentes, a long shopping street leading out. south of the city center. An important part of Mexico City, Avenida has mutated dramatically over the years and looks nothing like it did 40 years ago. Cuarón’s solution in that case was to simply build an entire street. This was necessary, as Cuarón wanted a one-shot shot in which Cleo exits a building and walks down the block. “There was so much we wanted to tell in that shot, that we decided to build it from scratch,” he said.

As a result of these efforts, “Roma” is one of the most watched movies of 2018, possessing a dreamlike texture that more man-made mediums will not be able to reproduce.

It is currently streaming on Netflix.

https://www.slashfilm.com/954845/the-realism-of-romas-sets-became-an-obsession-for-alfonso-cuaron/ Roma’s kit realism has become an obsession for Alfonso Cuarón

Fry Electronics Team

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