Sandra Oh and Jodie Comer Lay ‘Killing Eve’ to take a break

HILLS BEVERLY HILLS, Calif. – Sandra Oh and Jodie Comer close their eyes to the aquarium. Illuminated in the blue glow of bubbling water and artificial light, the two women slowly noted each other’s confusion, hostility, and extreme longing. Through the three seasons of “Killing New Year’s Eve,” the two actresses and the show’s creative team worked to master the complex bond between their two characters, and there it was distilled into a “Romeo + Juliet” – very attractive moment.

And then a wayward fish ruined the shot.

“Friend!” Oh exclamation, still resentful months later. The fish, which appeared in the first episode of the show’s fourth and final season, was extremely “hard,” explained Comer with a laugh.

She said: “One person just swam past and literally blocked both eyes. “I said, ‘Guys, I can’t work with this fish. “

Audiences won’t find out whether former MI6 agent Eve (played by Oh) and shadow assassin Villanelle (Comer) are destined to marry as Shakespeare’s star-crossed lovers until. when the final installment of the “Killing Eve” series airs this spring. (Two of the first eight episodes will air on Sundays on BBC America and AMC+ and air on AMC Mondays.)

The show was an instant hit when it premiered in 2018. Oh, who is also an executive producer, was nominated for the show. three Emmys for her performance. (In 2019, she won a golden globe.) Comer also earned multiple Emmy nominations, won the award in 2019. The new season, like so many other projects, has been delayed due to complications of the pandemic era.

Off-screen, the mutual obsession the actresses portray in “Killing Eve” gives way to mutual affection and respect. On a brilliant February morning, they sat across from me at a patio table at the Peninsula Hotel, mingling with old friends with ease and the reverence of their colleagues who witnessed. each other at the pinnacle of their careers.

Comer, who spoke in a soft Liverpudlian lilt, quickly abandoned the patented midi dress she wore for the previous photo shoot, in favor of a more comfortable pair of sweatpants. . The dagger-like earrings still framed her face. Oh was raised in Ottawa reclining in a seersucker jacket and trousers and taking a sip from her trusty drink bottle, marked to track her hydration throughout the day. (On the set, Oh gained a reputation as a “water station” for one woman, Comer said, with many trains always nearby.)

These are edited excerpts from our conversation.

What was your reaction when you learned how “New Year’s Eve Killing” would end?

JODIE COMER Those are mixed feelings. I was a bit stunned. The great thing about filming the ending was that we were together on set, which was amazing. I don’t know how I feel about the ending, to be honest.

SANDRA OH I think it is pretty winning. And I think we were honest with the characters and with each other.

When did you find out the fate of your characters?

OH It is a work in progress a lot. There were certain discussions going on very early on, and then the pandemic happened and certain things were changed. The discovery happened while we were building it. That’s as specific and broad as I can tell.

I really feel like this season, the finale, we spend the most time together. Because it’s just precise and ready for the characters to be able to——

COMER Be in that space together.

Do you feel this is the right time to end?

OH That is, because this is what is happening. Many people describe this as “cat and mouse” and I understood that in the first season. But I have to tell you, if you continue to describe it like that, you haven’t watched the show. That is too easy. For me, the show really explores the female psyche and how these two female characters need each other. Do that in the context of a certain genre of horror film, it’s the right time to end.

COMER It’s the hardest thing to do, you know? Try to move the characters forward in a way that feels authentic but also keeps all the parts that people love so much. Their relationship has a very personal meaning to each person who watches it.

And the show doesn’t label Eve and Villanelle’s relationship.

COMER I find it quite difficult when people ask, “What is this relationship?” It’s hard to come up with a name for that.

OH More and more I see that this is a very limited type of question, because it needs to be as broad as possible. I won’t tell you anything. Because it doesn’t matter.

COMER Sandra and I don’t talk much [to each other] about what we’re doing before we start. And then when it feels good, it feels good. So we keep making those discoveries on our own.

OH Those are some of the best things we do in the making. You can set up certain scenarios and then something not described happens and that’s really what to follow.

How there is a different woman as host every season [Phoebe Waller-Bridge, followed by Emerald Fennell, Suzanne Heathcote and Laura Neal] affect the entire series?

COMER Without a doubt, each brings their own feelings and intuitions about what they believe the characters will do. What I love about that is the opportunity to sit down at the table with people and really discuss and unravel what it’s like to feel right. To be part of those conversations, it’s been great. Before “Killing Eve”, you show up to prepare, you learn your lines, you do your job, and you go home.

OH That is the biggest growth path. Because it’s very challenging. If you’re a sausage maker, you know it’s a challenging way to make hot dogs. But the spark is a natural place for friction, and I think that can be a very creative place.

Is there a certain thing on your team list that you want to accomplish in this final season?

OH I have to wear a wig!

COMER Oh, yes! I remember when I saw that picture, I said, “Damn it, Sandra.”

OH I have to wear two wigs! I have to wear a dress! I was so excited that my wardrobe expanded.

COMER There’s a fire that I feel has gone out and I want to go back because I know we’re done. I want an excerpt of the old Villanelle we used to know. She’s gone on this journey with her moral and human compass, but I want her back, worse than ever.

OH Because the nature of a scorpion cannot be changed.

COMER Exactly.

Is that something you said early on?

COMER Yes. Those conversations are always open, like, “Is there something that might not resonate with you or something that you’d like to expand on?” There’s never been something I couldn’t give.

What this show always promotes, especially about finding Villanelle, is, “Try something!” If it’s silly, if it’s over the top, if it doesn’t work, that’s okay.” There is such a freedom that I have certainly assumed.

So many of your line readings are completely unexpected, and I would think, ‘Did she just do that in the meantime? “

OH Yes!

COMER I feel like I usually just fly by the seat of my pants.

OH [Laughs.]

COMER: Is that a saying? Seat of my panties?

OH No, no, no, no. “Pants’ chair” is correct.

When “Killing Eve” premiered in April 2018, the world was in a different place. We are in the middle of Trump’s presidency but before the pandemic. How do you think the show has adapted to the changing landscape and what can it offer viewers?

OH It’s a tough question because I don’t want to say what it is. When we launched, it was post- #MeToo, post-start of Time’s Up. It was an incredibly magical time, coincidentally. The story revolves around women; most of the creative leaders are women. We could have given the world a gift, couldn’t we? It’s also fresh in terms of style. Conceptually, the genre is very new. Other changes are related to the pandemic and political changes, it’s up to the audience.

COMER I feel it’s pure escapism sometimes.

Like the viewer gets to see Europe while stuck at home during the pandemic.

COMER Well, we had to cheat a lot this season because of Covid.

OH It’s a terrible revelation, but it’s so true.

COMER The art and setting department had to regroup to recreate the places we visited. People really have to step up in a different way.

Can you shoot anything outside of England?

COMER Is not.

OH It’s sad. But that’s what it is. We’re shooting during a pandemic, blah, blah, blah.

What did your last day on set entail?

OH All we can say is we’ve been together.

And emotionally?

OH We might as well have been together. [Laughs.]

COMER Very together.

OH For me, it’s very, very high. It was very difficult.

Was that aquarium scene in the Season 4 premiere a purposeful homage to Baz Luhrmann’s “Romeo + Juliet”?

OH Yeah sure. We even thought about crafting, and we don’t shy away from some movie references. Like when Eve followed Hélène [Camille Cottin], and she was wearing that blonde wig, I remember talking to Stella Corradi, our director, about Faye Wong in “Chungking Express”. I said, “I want to look like her.” I love the richness of including visual history and how they can fit into our story.

Looking back, what do the awards you received for “Eve” mean to you?

COMER I remember going to the Golden Globes my first year, and Sandra won and we all said, “This is amazing!” It feels like a celebration. Of course, there is always a moment of satisfaction, but your sense of satisfaction comes from actually doing the work.

OH Those trophies are lovely and nice. But as you continue to move deeper into your career, the importance of that changes. We did something together. It’s concrete. It cannot be taken away from us. And most of all, maturity, confidence, maturity, expansion, all of which have brought us here, cannot be taken away. Those are the things that take up more meaning and space. Sandra Oh and Jodie Comer Lay ‘Killing Eve’ to take a break

Fry Electronics Team

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