For a fight scene, she is repeatedly made to run a gauntlet of fearsome explosives and shrapnel. She stuffed cotton balls in her ears to drown out the noise. Another action scene sent her to the hospital when an explosion startled a horse, causing it to crash an explosive device towards Polley.
In the essay, Polley reenacted an email exchange she had with Gilliam a few years later, writing to him that “I’ve been mad at you for so many years,” even though she said “those people Big was supposed to be there to protect me, my parents, not you.” (Gilliam replies with an apology about the tumultuous filming, writing, “Although things may seem dangerous, but not so.”)
A few pages later, however, Polley finds herself regretting that she forgave Gilliam so easily, for having bought into the archetype of the “uncontrollable white male genius”: “It was contagious. powerful, the idea that genius couldn’t be without difficulty, that it paved the way for countless abuses,” she wrote.
To this day, Polley tells me her feelings around “Baron Munchausen” are not easy to categorize.
“Is it worth it for me to feel like my life is at risk and people just don’t care?” she speaks. “Sure is not.” But as she ponders Gilliam, “I don’t particularly think of him as a villain.” (A press representative for Gilliam said he had no comment.)
In another chapter, “The Silent Woman,” Polley revisits what she once called “a hilarious story about my worst date ever” with Jian Ghomeshimusician and former CBC broadcaster, who in 2016 was acquitted of five counts of sexual assault.
Describing the episode now without euphemism, Polley said that when she was 16 and Ghomeshi was 28, she left his apartment after he became violent during a sexual encounter, during There he ignored her pleas to stop hurting her.
https://www.nytimes.com/2022/02/17/books/sarah-polley-run-towards-the-danger.html Sarah Polley Agrees With Over Sharing