Sinéad O’Connor says church abuse cover-up revealed: ‘Everything I was raised to believe was a lie’

“They tried to bury me, but they didn’t realize I was a germ,” says Sinéad O’Connor in a new documentary about how she highlights injustice at the top of her career. “They broke my heart and they killed me, but I didn’t die.”

His account of her reaction to tearing up a picture of the Pope on Saturday Night Live in 1992, is at the heart of Nothing Compares, a new documentary about the Irish icon.

Focusing on her rapid career rise and rise to fame from 1987 to 1993, the film – which hits theaters next weekend – revisits that tumultuous time and argues that her actions contributed in part to the great cultural change.


Sinead rips the Pope’s photo

She said she has now moved to action that has caused a stir around the world following revelations of abuse in the Catholic Church across many countries including Ireland.

“I saw an article about families who tried to complain to the Church about sexual abuse and were silenced,” she said in the documentary. “Basically everything that I believe is a lie.”

To protest the cover-up, Sinéad decided to tear up the photo at the end of an SNL performance of Bob Marley’s song War. As the star blew out the candles on stage in an eerie silence, her previous journalist Elaine Schock followed her into her dressing room.

“I went into the dressing room after her and I said, ‘You know, I can’t get you out of this. And she said: ‘You know what? I don’t want you to do that’.

Speaking of the time, Sinéad said it was the right decision, adding: “An artist’s job is sometimes to create the tough conversations that need to be had. That’s what art is.”

Having experienced ridicule when she refused to take the stage if the US national anthem was performed before her performance, Sinéad was sure to have a reaction. But she couldn’t predict what was to come.

Death threats were sent to her manager, and while a performance at a Bob Dylan tribute show a few weeks later, she was met with a thundering mix of taunts. joke and cheer.

“Don’t let that put you off,” Kris Kristofferson was heard telling her, to which she replied, “I am not disappointed.”


Sinead’s talent shines from a young age

Directed by Belfast-born filmmaker Kathryn Ferguson, Nothing Compares celebrates O’Connor’s musical, cultural and social legacy.

Looking back at that era now, it’s hard to believe that any female artist in modern times would be stoned for expressing her views.

The documentary is a comprehensive account of the remarkable popularity of the Dublin singer, who was already a respected performer before her version of Prince’s Nothing Compares 2U became a number one hit on the internet. worldwide, with a featured video- ever list to this day.

As with Sinéad herself, the film features contributions from her first husband, close friend and musical collaborator John Reynolds, columnist Brian D’Arcy, and friends and musicians, who first experienced her remarkable talent.

Filmmaker Kathryn Ferguson said, “When Sinéad flared up in my consciousness as a young teenager, it felt like a door had been flung open,” filmmaker Kathryn Ferguson said in her memo. her about the documentary.

“This is a bold Irish woman who said things that other people didn’t feel they could say, and she said it out loud.


Sinead’s talent shines from a young age

“As a teenager and a fan of her music, I am deeply saddened and confused by how she was treated with her head on the railing.

“It feels very demoralizing and is something that has stuck with me all my life.”

After continuing to study filmmaking and making the music video for Sinéad’s 4th single and Vine in 2013, Ferguson began exploring the idea of ​​making a film about the rise of Dubliners.

Nothing Compares opens in cinemas on October 7. Sinéad O’Connor says church abuse cover-up revealed: ‘Everything I was raised to believe was a lie’

Fry Electronics Team

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