So Vam Draws A Bloody Picture Of The Future Of Queer People And A Thriller Through The Air

Horror is inherently weird. It is something that has been discussed and analyzed for a long time by researchers and theorists, and the evidence these studies provide is quite convincing. Finally, think about the prominent themes found in most horror films: alienation, isolation, and transformation, among others. These are ideas that are intrinsically tied to the LGBTQ+ experience, so it’s not surprising that so many of them are drawn to the genre a lot.

This gravity is why we also see more examples of people-centered horror movies being released. This was admittedly a mixed bag in terms of quality; for each “Titane”, there is one “Them/Them”. While there’s no denying that the majority of films shot from the perspective of the LGBTQ+ community often have the best intentions, they can sometimes feel too unpopular or too pitiful for the audience. Usually gender.

On the other hand, “So Vam” is purely for the community it showcases. Mackay is not afraid to portray the difficult aspects of gay identity; harsh comments, disgusted looks and especially acts of physical violence. At the same time, however, her incorporation of uncanny joys, both large and small, balances out these more unsettling scenes. It’s a nuanced depiction of the odd human, where it feels both good and bad to be attracted to others in a way that defies the status quo, which is rare in mainstream LGBTQ+ movies. So Vam Draws A Bloody Picture Of The Future Of Queer People And A Thriller Through The Air

Fry Electronics Team

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