Sopranos has an unbreakable rule for filming Tony’s therapy scenes

In an interview with The Hollywood Reporter, David Chase discussed an unbreakable rule the camera crew followed while filming Tony Soprano’s therapy scenes. It was essential to Chase that the sessions reflected the authenticity of Tony’s part, and to have absolute consistency on them, the camera remained stagnant. No up-front shots, no close-up stills to capture Tony’s emotions breathlessly, nothing at all.

Every minute and dialogue is important and Chase wanted to make sure it was translated on camera. Viewers won’t be helped by close-ups that indicate that a particular moment matters – the whole shot matters.

“During therapy scenes, the camera isn’t allowed to move. We’re not going to do any stupid push-ups in someone’s face because they’re really getting the point. I said, ‘No. , that’s not how therapy is. You don’t know when it becomes important. You’re trying to get over it.’ And so no dolly. I also have a rule about not taking pictures from. overhead, but that’s another thing. It’s just about the money.”

“The Sopranos” aired its final episode on June 10, 2007, and the mob family series has been a major hit on television ever since. While the series is rife with violence and illegal activities, Tony Soprano’s therapy sessions give viewers the opportunity to interact and see through the many personalities that come together to create the beloved anti-hero. like on television. Sopranos has an unbreakable rule for filming Tony’s therapy scenes

Fry Electronics Team

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