Ruth (Mae Clarke again) said in James Whale’s 1932 book The Impossible Maiden: “The law makes us puppets on a string, like Punch and Judy. Ruth is an assistant to a divorce attorney who regularly witnesses marriages filled with abuse, abandonment, and betrayal. (This is in no small part due to the country’s economic precariousness, a fact that has influenced several films in the series.)
A down-to-earth girl, however, filled with a longing for quiet, Ruth suggests a sensible course of action when she falls in love with Lew Ayres’ Dr. Brown: wait to tie the knot until his medical practice is successful. labour. Scandal and difficulty arose when Dr. Brown rejected Ruth’s proposal, but we feel that the root of lovers’ problems lies not in women’s reluctance to marry, but in bare ideals cloud the minds of men.
Other films in the series downplay marriage, aiming to assert themselves and to a playful effect.
In “One Hour With You” (1932), a musical comedy Directed by Ernst Lubitsch with support from George Cukor, stars Maurice Chevalier and Jeanette MacDonald play a married couple, Andre and Colette, who are first seen driving in a park normally reserved for young adults. illicit lovers. Colette’s best friend, a genuine housemaid named Mitzi (a delightful Genevieve Tobin), has a crush on Andre, causing a night of infidelity on both sides that is concluded to have been brushed under the rug when the pair decide to determined that they loved each other too much to allow. Such trivial pursuits spoil them. As for Mitzi, she responded nonchalantly to her own husband’s divorce request, driving with a self-portrait in the background.
Particularly moving are the moments in these films when the women stand up for each other in the face of sexism.
Five movies to watch this winter
In “Bad Girl,” when Dorothy meets her future husband and stays with him until 4 a.m., she is kicked out of the apartment she shares with her brother, Floyd. But she never actually Suffering from her recklessness: Floyd’s stubborn girlfriend Edna (Minna Gombell), a single mother struggling to balance work and childcare, immediately dismisses Floyd because his crude patriarchal ideas and brought Dorothy by her side.
Before the Code portrayed interracial couples and the types of roles for (very few) actors of color employed by Hollywood, films like “The Bitter Tea of General Yen” ( 1933) can be made. For audiences at the time, the interracial romance between Barbara Stanwyck’s missionary character and a Chinese warlord contained an astonishing level of intimacy – regardless of Nils Asther, a Swiss actor. Dien, playing the role of General Yen. That said, the more notable aspect of this undeniably film is the casting of Japanese actress Toshia Mori in her biggest and most dynamic role in her brief time in the United States. .
https://www.nytimes.com/2022/02/01/movies/these-talkies-star-complicated-women-you-might-recognize.html The complicated women of this talking star that you may also recognize