The destruction of American vandals is a real crime

The funny story of “American Vandal” – what if there was a true crime documentary about a really silly crime, like a teenager spraying a bunch of paint on a car? – there’s only really enough mileage for a five-minute parody trailer on YouTube. It will feel thin after a single episode, never mind an entire season. But the potty humor of “American Vandal” is merely a Trojan horse; this series takes its story and characters seriously in a way that audiences can’t help but invest in as well. It’s no small feat to get viewers to actually participate in the mystery of which teacher ate a piece of chocolate-covered cat poop, and that’s why “American Vandal” is so impressive. so.

A lot of TV shows and movies have tried to incorporate modern technology and what appears on the screen often ends up being ridiculously inaccurate or a grim cautionary tale about how social media will kill us all. Another Netflix favorite, “Black Mirror,” has been praised for its repeated return to “technology = evil,” with a satirical article by Toasted bread Memorable summary of the program is “what if the phone but too much?”

In contrast, “American Vandal” offers razor-sharp precision when it comes to depicting technology as a tool to solve crime (in season 1, high school detectives Peter Maldonado and Sam Ecklund use the meme to verify the hint nuances when texting “heyy” with two Ys; in part 2, they eliminate suspects by checking social media posts for a specific glitch that only occurs on certain iPhone models). Many shows were written from the perspective of adults before the internet was really a thing and considered social media to be shallow and silly, or downright evil. But “American Vandal” sees beauty in the “fake” versions of themselves that young people post online, commenting that these digital portraits are actually an identity test to find. a suitable photo.

Ultimately, what makes “American Vandal” great is the intense compassion for the teenagers at the heart of the story. During the search for the culprit, it’s revealed that there are no simple bad villains or heroes. Confident, popular kids have their share of deep insecurities. The most beloved and respected teachers have secret biases and hatreds.

“American Vandal” criticizes how the true crime documentary genre takes real people and fits them into villains or heroes, protagonists or villains, pushing their humanity aside like an inconvenience. As Peter and Sam perform segments about each other to examine the possibility that either of them might be the saboteur, both are deeply traumatized by the documentary’s cold eyes. A moment of celebration at the end of season 1 is tainted by a schoolmate cornering Peter and asking him why he feels the need to include private text messages revealing a list of relationships. her contacts in the documentary. It has little to do with the investigation; it is simply personal information that is turned into feed for the content machine.

As Peter concludes in his final monologue for “American Vandal” season 2: “We’re not the worst generation; we’re just the most exposed.” The destruction of American vandals is a real crime

Fry Electronics Team

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