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The Melodic Return of Romeo Santos and 13 Other New Songs

“Sus Huellas,” first single from Romeo SantosTheir upcoming fifth solo album, “Formula, Vol. 3,” sees him cover the bleeding heart song he’s famous for, recalling the cortavenas (roughly “cutting the wrists”) style of the bachata classic. This time, the guy in white pants, obsessed with the antics of the genre is trying to recover from despair over a lost love, and the melodrama is reaching its climax: “Come, pull out my tendons / Because the plasma inside of me has the poison of her love,” he sings. “And take this lighter, I want you to burn my lips / Remove the taste of her tongue, which I harmed.” It’s not all traditional though; Santos indulges in an EDM interlude that will make uptown clubs lose it. ISABELIA HERRERA

Last year Jack Harlow took 1st place as a guest on Lil Nas X’s “Industry Baby,” and he learned something from that experience. “Nail Tech” has an echo of that song’s trumpet, and Harlow approaches the same beat, by rapping imaginatively — “You’re not one of my dogs, why are you hunting us ?” – and the confidence that makes this song sound like a triumphant joy. JON CARAMANICA

Spanish singer and rapper C. Tangana gets highest paying on “La Culpa” (“The Blame”), a song added to his deluxe version 2021 Latin Grammy Awards– winning album “El Madrileño.” But with the exception of a short, vulnerable span, he spends most of the song’s length harmonizing with three other singers who are stronger and closer to flamenco – Omar Montes, Daviles de Novelda and especially Canelita – while rock drums and electric guitar join in. flamenco handclaps to rhythm the song. While the lyrics express guilt and remorse, they are conveyed with a joyful camaraderie, showing that male affection can easily overcome a pang of conscience. JON PARTS

Kevin Parker, aka the one-man studio band Tame Impala, It took a long time to release his 2020 album, “The Slow Rush”, Of course he won. “The Boat I Row” is from the collection “Slow Sides and His Remixes.” It shares the album’s stately, patchy, time-distorted sound – psychedelic drums playing to hip-hop beats, multi-track vocal harmonies suggestive of both the Beatles and ELO – and reflections its thinking about persistence. “Even if it takes a hundred thousand turns / The road is ahead of me because that’s the path I’ve chosen,” sings Parker, instantly exuding confidence and determination. PARTS

Jenn Wasner, who is credited as Flock of Dimesthinking about unfulfilled desires – material and emotional – in “Pure Love”, recorded with producer Nick Sanborn from Sylvan Esso: “I keep dreaming of a better moment,” she sings. She’s surrounded by repetitive voices and instruments, with ricocheting rhythms resembling 1980s drums; she looks like she will persevere. PARTS

Musician Asa has had a long career in Nigeria, singing about adversity and conflict as well as romance. But “Ocean” is pure affection. Asa is about to release her fifth studio album, “V” and “Ocean” distilling the ways Nigerian Afrobeats uphold Minimalism. The percussion is just a few flips, the bass ranges are only two or three notes, and Asa’s breath-taking vocals soar with a declaration of pure devotion: “Boy, you are the ocean, ‘ she cooed, and everything about the song promises happiness. PARTS

Two generations of surrealists in a liquid syllabic combination. Yeat is still swooning over abstraction, and Young Thug, a few years old, has learned to create letter-like shapes while still appearing to melt in real time. CARAMANICA

Like many others, Norwegian bassist Sigurd Hole – a nimble-fingered player and composer of thoughtful, open-tempo music – had to come through with disappointment ahead of the game. The climate crisis is getting worse. Like too little, in the face of it, he sought wisdom and theory from de-industrialized societies. “The Presentation Dance” comes from his latest album, “Roraima,” which he made after reading “The Falling Sky,” a book by shaman Yanomami and spokesman Davi Kopenawa. The rain-like pattern of the marimba interacts with a small group of strings, playing fluid and interwoven melodies that sometimes become a pizzicato counter to the marimba’s mallet. Giovanni RUSSONELLO

Last week, Ed Sheeran released a new version of the song “The Joker and the Queen”, with Taylor Swift. Pfft. Predictably pretty. Simple. It’s more like this. “Bad Habits” is perhaps Sheeran’s most anodyne pop hit, and this version, performed on stage by British metalcore band Bring Me the Horizon, comes to its rescue, recalling the compilation series “Punk Goes Pop” is essential and overlooked. CARAMANICA

Frontwoman is the indie-rock duo of Kathryn Calder, from New Pornographers, and Mark Hamilton, from Woodpigeon. Calliope-like keyboard arpeggios and layers of meaningless vocals give “Parade” a blithe, circus-like tone as Calder and Hamilton sing about expectation, connection, and disconnection, acceptance. take it all: “Sometimes you get left behind / Sometimes you leave. ” PARTS

Music of Ambar Lucid bottle of yearning for youth. The 21-year-old whose debut album “Garden of Lucid” collects stories of escape and radical self-acceptance, seems to know exactly how to stir the soul. “Should I even bother letting anyone know how I feel?” she wondered about “Dead Leaves”. It’s a gentle winter ballad filled with all the pain and promise of the changing seasons. HERRERA

“Jupiter’s Dance” is off the newly released “Life on Earth” album, the seventh album that Alynda Segarra made as Hurray for Riff Raff. New songs admire the natural world and humanity to it. “Jupiter’s Dance” is an almost mystical reassurance – “The children of heaven will pass / You never know who you will be” – with jingle bells and bomba music by Puerto Rico, a brief blessing. PARTS

Poet Nikki Giovanni chose the repertoire for “The Gospel According to Nikki Giovanni,” a new album by tenor saxophonist Javon Jackson that explores the lineage of black American souls and chants. But her vocals only appear on one track, and it’s the non-church track: “Night Song.” Instead of reciting her own poetry, Giovanni sings this hymn to unsubscribe – a favourite by old friend Nina Simone – with deep conviction, began with Jackson’s gentle handling of the tune. Her voice hits the high notes but doesn’t lose charm or tenderness as she sings: “Music, sung by lonely people / When you can’t help but wonder: / Where do I belong? ” RUSSONELLO

For rocker Chris Dingman, playing solo was central to his practice even before the pandemic hit. Since then, it has been his primary mode, and he has increasingly sought to use the loud, clanging instrument as a vehicle for transcendence. That pursuit led him to delve deeper into a much smaller musical instrument: the mbira, a thumb piano with psychic applications throughout southern Africa. In “Silently Under the Waves” – the prelude to a new solo performance album, “Journeys Vol. 1” – you can hear evidence of that study, as he repeats fetching patterns, hypnotizing you into their force field before gradually giving way to another shape. RUSSONELLO

https://www.nytimes.com/2022/02/18/arts/music/playlist-jack-harlow-romeo-santos.html The Melodic Return of Romeo Santos and 13 Other New Songs

Fry Electronics Team

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