The Phantom Of The Open movie review: Mark Rylance laughs in heartwarming golf comedy

Open specter (12A, 102 minutes)

In the glorious summer of 1976, a rather peculiar golfer appeared among the contestants at the qualifying rounds of The British Open.

While playing at Royal Birkdale, Maurice Flitcroft was noted for an unusual swing, his golf bag low on the club, his outfit unnatural.

As Maurice progressed around the famous pitch, a ragged round turned ever more sketchy and he finished that day with 49 on par 121 – the worst score in tournament history. And all this from an expert!

Not exactly exactly. Maurice Flitcroft was actually a shipyard worker from Barrow-in-Furness who had only played golf a few years earlier after watching a tournament on TV.

Since the local golf club wouldn’t let him in, he had been practicing in the fields or on the beach using mail-order clubs, and had never played on a real course until this morning. there at Royal Birkdale. If golf has a hero everyone, it really has to be Maurice, Don Quixote of the fairways, and this is his story.

Ever since Steven Spielberg lured him back into mainstream movies in 2015 with Bridge Of SpiesMark Rylance has become the disappearing man of cinema, a quiet chameleon with the uncanny ability to transform into the most unbelievable characters.

As Maurice, Rylance uses a pair of false teeth and a broad Cumbrian accent to bring to life a memorable eccentric, a naive eccentric in the classic British tradition.

Until 1974, Maurice lived a quiet and serious life as the loving husband of his wife Jean (Sally Hawkins), and a loving father to their three sons.

He works in a shipyard, operates a crane, and seems like a pretty fun soul. But Maurice is a dreamer and feels he has yet to make his mark on the world. Then, while awake in the middle of the night, he took a chance on the highlights of the World Match Play Golf Championship and was instantly knocked out.


Mark Rylance with Sally Hawkins

At this point, Maurice is a smoker in his 40s who has never hit a ball in his life, but a dreamer who admits there are no obstacles, and soon Maurice is seen driving Slazengers down to the Irish Sea off his local beach and using his living room as a tree.

He set his sights high and decided he would make his tournament debut at The British Open, but when he discovered that the amateurs participating had to have a registered handicap, he was immediately alarmed. instantly.

Thieves at his local golf club didn’t like cutting his rod and only a club could distribute the registered handicap. It was a dilemma that Maurice overcame by simply ticking the box marked ‘professional’ on his Opening form.

And so, in July 1976, he found himself starting out in Birkdale with the likes of Seve Ballesteros and Jack Nicklaus, when surprised TV commentators quickly began to speculate about the interests of ‘ professional’ this frenzied capriciousness.

Golf is also influenced by a passion for the rules and snobbery. Then imagine the disgust of Open’s president Keith Mackenzie when he discovered a cuckoo in their midst, and a working-class one there!

Rhys Ifans plays Mackenzie with bug-eyed enjoyment and there’s an overall beauty to this piece that matches its warm and sentimental tone.

The real Maurice Flitcroft may not be as high-minded and naive as this one, but Rylance plays him as a kind of St Francis golfer who doesn’t mean no one harms and just wants to give his best in the game. this beautiful, silly game.

Of course, Maurice was dropped from the Open, but that doesn’t stop him from reappearing in the years to come with a variety of ridiculous alias, my favorite being the continental tennis player, ‘Gerald Hoppy’, the Frenchman listens to. seems unruly and suspiciously Lancastrian. Maurice’s eccentric eyes made the golf world around him seem so proficient, too frenetic, too boring.

He’s a very British hero, a hopeless coward who insists on his worth, and Craig Roberts’ film, with a screenplay by Simon Farnaby, has risen to heights of comic book charm thanks Rylance’s winning performance.

Who knew the best Shakespearean actor of his generation would be able to play people so skillfully?

Rating: Four stars

Wolf (15A, 99 minutes)

There’s a bang of Yorgos Lanthimos from Nathalie Biacheri’s Wolfwhich prides itself on the Greek director’s ingenuity with the absurd and horror, but without his wit.

George MacKay is Jacob, a troubled young man who is sent to a reformatory by his parents. Jacob, who has dyslexia, believes he is a wolf, but the refugee camp’s boss, Dr. Mann (Paddy Considine) assures them he can help.

As Jacob settles into life, he finds himself surrounded by companions, including Rufus (Fionn O’Shea), a German shepherd in his spirit, and Cecile (Lily-Rose Depp), a dog wild cat.

But he quickly discovers that Mann is more of a Stalag commander than a psychiatrist, his treatments cruel and barbaric. Exit is the only option.

The theme of the affliction of species is a fascinating one, but Biacheri’s script isn’t deep enough to deliver convincing character arcs and the bravery of her cast is largely wasted.

It’s unfortunate because the actors’ commitment here is phenomenal and MacKay’s physical interpretations of his character’s anguish are sublime.

Rating: Two stars


Excellent Yllka Gashi as Stone Face Fahrije in Hive

Hive (12A, 84 minutes)

War and its aftermath are topics on everyone’s minds right now, and Blerta Basholli’s Hive Based on a true story of heartbreak and resilience.

In 1999, the Kosovan village of Krushë e Madhe was the scene of a notorious massacre, when Serbian troops rounded up most of the men and killed or disappeared nearly 250 of them.

A few years later, Fahrije (Yllka Gashi) is still searching for her husband’s body, and trying to keep her children fed.

She headed to the beehives her husband kept, but got sick of the constant stings and decided to start making and bottling hot chili sauces to sell.

As her business progressed, she faced insults and even attacks from the men in the village, who called her a whore for dealing directly with people. buy is male.

With a face as stone, Fahrije silently endured all this abuse and recurrent vandalism. In her conservative Muslim community, widows are forbidden to socialize, not to remarry: instead Fahrije fixes faucets, feeds her children, and slowly builds a business that would set her free. Hive is a mutilated, emotionless, inspirational film.

Rating: Four stars The Phantom Of The Open movie review: Mark Rylance laughs in heartwarming golf comedy

Fry Electronics Team

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