The Problem with the Pandemic Conspiracy

“I have no particular ambition to write about the pandemic, but it feels like a giant tree has fallen across my path,” says Ian McEwan, whose novel, “Lessons,” is coming soon. followed an English man from the 1940s to late afternoon. in 2021, as he lives alone in London during lockdown, looking back on his life. “It would be in the literary novel simply because there is no way around it, if you are writing a socially realist novel.”

Anne Tyler’s “French Braids,” due out next month, follows a Baltimore family from the late 1950s to the ups and downs of 2020, as a retired couple finds unexpected joy after having a baby. their adult son and grandson came to live with them to hang out with the plague. Nell Freudenberger’s out-of-release novel, tentatively titled “The Limits,” explores the feelings of fear and uncertainty the virus causes, and is about a struggling teenager To balance distance learning with caring for a child, a biologist doesn’t worry about climate change and a doctor feels powerless to treat Covid patients.

In Isabel Allende’s “Violeta,” The narrator’s life is linked by two pandemics, the Spanish flu and the coronavirus, a “strange symmetry” she reflects as she dies in isolation. “The experience of the entire planet being frozen in place by a virus is so extraordinary that I am sure it will find widespread use in literature,” Ms. Allende said in an email. . “It was one of those events that marked an era.”

There’s no shortage of pandemic-themed content, from TV shows and documentaryarrive long-form fiction, poem and short story. But novels often take longer to come out, and the first wave of pandemic-induced literary fiction is coming at a confusing time, when the virus is starting to feel both trivial and impossible. passed, and it was unclear when the crisis would end, making it unwieldy. themes for fiction writers.

Writer and critic Daniel Mendelsohn said: “You can’t have a great coronavirus novel yet, because we don’t know how this story ends yet.

When the first wave of Covid-centric novels began last year, some critics questioned whether the pandemic could yield literary merit. “I’m a little concerned about the onslaught of novel Covid-19 facing us in the years to come,” reviewer Sam Sacks wrote in Wall Street Journal.

Last November, when British author Sarah Moss published her novel “The Fell” – about a woman who defied a mandatory isolation order after being exposed to Covid – some critics in the UK were I rate it to recreate the grueling experience of being locked up. The Problem with the Pandemic Conspiracy

Fry Electronics Team

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