The Seven Rights of Samurai traveled a complicated path from Akira Kurosawa to the Seven Greats

Originally, the American remake rights to “Seven Samurai” were owned by a screenwriter named Lou Morheim, who wrote scripts for movies like “The Beast from 20,000 Fathoms” and television shows. like “The Outer Limits”, “The Big Valley”. and “Rawhide.” He will also eventually serve as the project’s executive producer. It was Morheim who suggested the Western idea of ​​”Seven Samurai” to actor Anthony Quinn as a potential vehicle. Quinn got the idea that, like the villagers in the movie, he started walking around Hollywood looking for other team members to join him. Quinn introduced Morheim’s idea to Yul Brynner, a hot commodity following the success of “The King and I” and “The Ten Commandments,” both from 1956.

Brynner also loved the idea and somehow won it away from Quinn, deciding to make the movie his own. Brynner took the lead role and began developing the script with producer Walter Mirisch. It was during this stage of production that the original samurai were turned into unreliable ex-gunmen and the film would be shot using widescreen technology on a $2 million budget (a modest $20 million). in 2022). Cinema was only introduced to the public with “The Robe” in 1953, so the format is still something of a novelty.

Lovell, in an interview on the Cinemadope website, tells the story of how Mirisch sold a Western “Seven Samurai” to United Artists. Mirisch, the story goes, arranged a screening of Kurosawa’s film on set with other UA executives and producers. Mirisch recalls that everyone in the room had a great experience translating the classic into Western terms in real time. It was a pitch meeting through “Mystery Science Theater 3000.” The Seven Rights of Samurai traveled a complicated path from Akira Kurosawa to the Seven Greats

Fry Electronics Team

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