Appears on a 2018 episode of NPR’s “Fresh Air,” Jones explained to host Terry Gross the unique difference in the elaborate makeup he wore on “Labyrinth” and on “Water.” In both cases, his head is equipped with complex facial and skull prosthetics, which in turn are equipped with mechanical servos to activate his eyes, ears and gills. Jones immediately recognized the interesting combination of playing a monster – a creature perhaps with enhanced senses – while the human’s own senses were severely limited. While in full make-up and costumes, Jones often asked for helpers and guides to assist him on set. In his words:
“Any biological suit I’ve worn for the last 31 years interferes with your vision, your hearing. You’re basically a nursing home patient; you need help walking. the irony is that you often play as a creature with superhuman strength, [but] You need help when you get to the set. “
For “The Shape of Water,” Jones wore a full-face mask that resembles his real face. The only part of Jones’ face visible were his lips. The “fish” eye part resembles sunglasses, and the character has gills on the neck and on the sides of the head. The gills will be moved by remote control, and as Jones explains, the internal gill mechanisms are located right next to his ears.
“My vision is very poor and my hearing – my ears are covered with foam rubber. And the gills are also right next to my ears, and they are operated by machines. So I will hear [mechanical noises] in my ears when a scene is in progress, so you have to delete it. “
https://www.slashfilm.com/1021091/the-shape-of-water-and-pans-labyrinth-were-very-different-prosthetics-experiences-for-doug-jones/ The Shape of Water and Pan’s Maze are very different prosthetic experiences for Doug Jones