The sixth part, the 13th part opened a trend in horror movies

The “Golden Age” of 3D began in 1952 with Arch Oboler’s “Demon Bwana,” a lion-hunting adventure starring Robert Stack, which was deemed lacking in its immersive enhanced features, very flat, both visually and visually. However, people were still annoyed by the experience of the lions seemingly jumping off the screen, which led to two years of solid 3D mining movie making. In the end, the gimmick became an old hat and the 3D era was over.

In 1981, Italian filmmaker Ferdinando Baldi had a breakthrough in reviving the format with his flamboyant western spaghetti “Comin ‘ at Ya!” The original release, two US cities is a small sensation. Nearly 30 years after the advent of 3D, audiences were delighted to have objects fly off the screen at them. Maybe there was life to this hoary gimmick after all. If so, what better way for a studio to dip its toes in water than to apply it to a critically acclaimed slasher series? Paramount took notice and hit a goldmine with “Friday the 13th Part 3”

While 3D horror chestnuts from the format’s golden age like “House of Wax” and “Dial M for Murder” are being re-released in theaters to capitalize on Paramount’s horror success, studios Rivals carelessly dumped the likes of “Jaws 3-D” and “Amityville 3 -D” into production, with sci-fi/horror pioneer Richard Matheson participating in the writing of the previous film, featuring reason to believe that a third installment with a wildly fantastical white might be worth it.Apart from Simon “Manimal” MacCorkindale being half-swallowed by a shark, the film was a flop. 3D is dead again. The sixth part, the 13th part opened a trend in horror movies

Fry Electronics Team

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