The Wild Origins of Pinhead Design

However, Pinhead’s design goes far beyond Clive Barker’s original material. While “Hellraiser” remains Barker’s first feature film as a director, throughout the 1970s Barker was involved in many experimental theater project and directed several experimental short films. Briefly, in 1976 and 1977, Barker wrote “A Clown’s Sodom” and “The Day of the Dog”, his first plays as a solo playwright. The following year, Barker co-founded a troupe called The Dog Company, where Barker would first meet Bradley and Peter Atkins, who wrote the scripts for several “Hellraiser” sequels. With The Dog Company, Barker will direct some his famous playsincluding “Frankenstein in Love”, “The Secret Life of Cartoons”, and “The History of the Devil”.

Barker first experimented with cinema in 1973 with a short experimental short based on the ancient play “Salome”, and would return to the medium in 1978 with a short called “The Forbidden”, based on on a short story from Barker’s own horror anthology “The Book of Blood.” Running at 36 minutes, lacking dialogue, and shot in high-contrast black and white, “The Forbidden” is about a man who is captured and turned into an art project in which his skin is gradually removed. Periodically throughout “The Forbidden”, Barker would cut into a small plank decorated with mesh, and at every intersection of the horizontal and vertical axes, a nail was driven.

In a 1995 interview featured on the DVD of “The Forbidden,” Bradley recalls Barker experimenting with many similar “nailboards” earlier in his artistic career and could see a direct consequence between decorating the board with a grid of nails… and decorating the face with a human face. pin net.

https://www.slashfilm.com/1023382/the-wild-origins-of-pinheads-design/ The Wild Origins of Pinhead Design

Fry Electronics Team

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