Whether you’re looking in front of the camera or behind the camera, HBO series don’t always have the best track record when it comes to variety. The network has received a lot of frustration with gays on some of their most popular series, but David Simon argues that their approach to diversity on “The Wire” will hurt. harm the series if it was made today. “We didn’t engage with the idea of diversity in the writers room, in any way,” says Simon. New York Times. Neither he nor Burns were overly concerned with finding writers of color for the show, despite the fact that the majority of the characters In “The Wire” is people of color.
“I’ve been trying to get Dave Mills, who’s been my friend since college, to work on ‘The Wire,'” adds Simon. “But that could be organic. It’s just a friend; it’s not even about Black and White.”
Simon has frequently described “The Wire” as “a novel”, only on television. As a result, creators often hire novelists to write shows instead of screenwriters. Simon and Burns are looking for writers who have mentioned, or even experienced, the same issues the show has explored. Ironically, that rarely includes writers who also happen to be black.
Aside from David Mills and playwright Kia Corthron, there aren’t many Black voices in the writers’ room – which is actually a bit confusing, even by early years standards. Baltimore, where “The Wire” takes place, has majority-black for many decades. Is it really that hard to find a Black novelist in the area who shares their expertise?
https://www.slashfilm.com/956811/the-wire-might-not-have-the-same-writers-room-if-it-were-made-today/ The wire might not have the same writer’s room if it was made today