This is why dreams in sand people sound out of the world

The main theme of The Sandman begins with eerie bells that sound like something straight out of a psychological thriller. Buckley created this ethereal sound with a 16th-century instrument called the Celeste, which looks a lot like a regular piano with a keyboard, but has a bell box inside instead of strings. So when the keys are pressed, chime sound is produced. Usually, this results in upbeat, whimsical tunes, but Buckley made a terrifying twist to the original sound:

“And the sound of The Dreaming is a kind of orchestra called a celeste, but I change the pitch of it. I bend the sound, which is physically impossible to play. You can’t really do that. That’s it. But with audio manipulation, you can do it.”

The flex of sound turns a sweet, fun tune into the creepy bells we hear at the beginning of the main theme in the series’ credits. These lone, quaint bells are soon paired with a steady, basic drum beat, before being taken over by the rising strings, and it all ends with a deep, powerful, engaging bass. . All of these sounds come together to convey the many layers of Morpheus’ complexity. The creepy bells signify his immortal, otherworldly nature, while the rising strings hint at the heroic qualities beneath his black clothes and permanent scowl, and harsh bass is used to convey Morpheus’s innate ability to rule and punish those who stay out of line. .

This theme focuses on aspects of a character and helps viewers understand different aspects of Morpheus’ complex personality. In addition, a lot of Buckley’s work is used to heighten the emotions surrounding certain scenes and events. This is why dreams in sand people sound out of the world

Fry Electronics Team

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