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Tiffany Haddish on Oscar Isaac, Paul Schrader and ‘Card Counter’

Even by lone wolf standards, William Tell was different. Or so he told himself. Released from prison and playing poker for money, Tell breaks through his self-imposed isolation when he approaches La Linda, an enigmatic and enigmatic backer of gamblers.

“I’m always looking for a good thoroughbred,” La Linda said with a sly smile, before ducking her head to take a sip of her drink. It was a pivotal moment in Paul Schraderof “The Card counting machine‘A middle scene Oscar Isaac and Tiffany Haddish that catalyzes their relationship, one of the film’s two main plot lines.

But the dialogue is not in the script. “I made that line about seventeen times,” Haddish said with a hearty laugh. “Paul would say no, but I continued to ignore it.”

Sure, Schrader picked the comedian to look for the alchemy you get “when you take a natural performer outside their comfort zone,” but then he spent rehearsals eliminating removed humorous rhythms and sensibility from Haddish’s performance.

It took away the essence of what made her famous on “The Carmichael Show,” “Girls Trip,” and in her comically committed performance in a supporting role in “Bad Trip.” bad” by Eric Andre, which she shot right before “Card Objection.”

Haddish admits that she’s “always looking for a breakthrough” and when the camera turns on, I bring in my comedy backpack to lighten up the tough situations. It was a defense mechanism and I had to turn it off.”

From working with Isaac, Haddish, who is often physically expressive (she raises her eyebrows, wrinkled her forehead, and rotates her neck when she says it to make her point), has learned that you can “just need to” stand still. I feel vulnerable – all those movements are just protection – but it is beautiful and satisfying. ”

Even so, Haddish still insists that a part of her belongs to La Linda. “She was using her charisma and playing with his ego,” she said of the moment. She respects Schrader’s unusual vision for his films— “It’s refreshing to work with someone who knows exactly what they want; that’s the kind of man I want in my life”—but she knows what her personality needs.

Her perseverance paid off.

“That line wasn’t written by me but Tiffany was so bright and intuitive, that’s her personality and it helped her master the role,” Schrader said, adding that Haddish is more than just “” cannon” but also “her work is ethical to put the rest of us to shame”.

Her work ethic, combined with her sense of humour – “When you’re a kid, people treat you better when you make them happy” – helped her escape a traumatic childhood in New York. South Central Los Angeles: Her mother suffered a brain injury and became violent, she later landed in foster care and was also raped.

Haddish won awards for playing Shakespeare’s monologues in high school competitions, but she discovered comedy and indie drama lackluster in the background. However, she loved the idea of ​​working with Schrader. “His movies are dark and beautiful and mysterious, and you think of five, seven, eight, ten different things,” she said. “People are always deeper than what they’re doing or their work.”

Like Schrader’s characters, she knows how to navigate the world without revealing her true self. “I’m wearing a mask right now,” she says of her usual impulsive behavior. “I’m in Atlanta working on my next movie but there’s a big part of me that would rather be in Los Angeles curled up in bed next to my grandma, for all the healing, loving energy I can let me. could keep her for a year or two but that’s not what’s happening right now. ”

Haddish choked briefly as she talked about her grandmother, but she quickly reverted to her generous personality, saying, “Now let me put my mask back on.”

https://variety.com/2022/film/awards/tiffany-haddish-on-paul-schrader-taking-her-out-of-her-comfort-zone-in-card-counter-1235168102/ Tiffany Haddish on Oscar Isaac, Paul Schrader and ‘Card Counter’

Fry Electronics Team

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