What we learn about film history from the Venice Film Festival

“I’ll tell you some lies about myself,” quipped Richard Harris at the beginning of the documentary about his life and legacy. The actor, perhaps best known to contemporary audiences for starring in blockbusters like “Gladiator” and the first two “Harry Potter,” has certainly cut some notable things down. In addition to his feats of talent on stage and screen, Harris is also a singer, poet, rugby player and a heavy drinker. (His children and grandchildren, including now-working actor Jared Harris, you’ll also know him as their patriarch.)

However, Adrian Sibley’s documentary “The Ghost of Richard Harris” will make you think about it To be in fact, can crucify him. It takes more than 100 minutes to act if the unknowable is in fact knowable, at least. Sibley isolates the creative fire and chaos that cut through all of his work, defining the alchemy he brings to cinema and theatre.

The film does its best when it dives into how Harris was at the forefront of the UK’s “Rage Men” alongside actors like Albert Finney and Richard Burton in creating “not art for art” art, but art from life.” Sibley’s talking heads attribute much of the volatility in his early roles to the fact that he has to shoulder the shoulders of the Irish, a people the British innately consider working class despite where are they located? “The Ghost of Richard Harris” takes a slightly off track in its second half as Harris himself becomes an itinerant troubadour. But even in the midst of that disappointment, a real gem is the breakdown of his stage performance of “Henry IV” and the way he destabilized audiences by making them disbelieving. he simply went crazy. (The anecdote that his niece changed the path of cinema by persuading Harris to play Dumbledore instead of Gandalf is also quite captivating.)

But this documentary can never escape the feeling of a family album being released to the public. For God’s sake, the kids even rummaged through his stuff in a storage bin! While there’s some appeal to craft and popularity here, the appeal of “The Specter of Richard Harris” may be limited to those with a pre-existing fascination with Harris. But for those people, the doctor may not tell them anything they don’t already know.

/ Movie rating: 6 out of 10

https://www.slashfilm.com/1003174/what-we-learned-about-film-history-from-the-venice-film-festival/ What we learn about film history from the Venice Film Festival

Fry Electronics Team

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