Entertainment

Why can’t Evil Dead II use scenes from its own franchise

Irvin Shapiro is a name that may not be well known to casual moviegoers, but will be familiar to those who know a little about the history of international film distribution. Shapiro, one of the founders of the Cannes Film Festival, was responsible for finding interesting or important European films and finding theatrical and home video rights in the United States. Without Shapiro, American audiences wouldn’t have seen Sergei Eistenstein’s “Battleship Potemkin,” Robert Weine’s “Doctor Caligari’s Cabinet,” Jean Renoir’s “The Grand Illusion,” or Jean-Luc Godard’s “Breathless” . He has worked with Stanley Kubrick, George A. Romero and Martin Scorsese. The story goes that Shapiro first proposed the title of “Demon of Death” to Raimi.

When Raimi made “Evil Dead II”, he wanted to save some time. Instead of providing a dialogue-rich narration rendering explaining the events of the first film, he just wanted to cut down on a select few scenes, building a handy, brief flashback. But as Raimi himself explained in “The Evil Dead Companion”, the distribution rights were distributed by Shapiro to the four winds:

“We tried to get the rights to use footage from Evil Dead at the beginning of ‘Evil Dead II.’ Unfortunately, since the painting was sold to so many different countries by Irvin Shapiro and to different distributors in each country, we would have to go to each place – maybe fifty paintings – and get permission to use it. using it in their territory. is a very strange situation – some distributors have even gone out of business.”

So that’s it. No one knew who had the right or even had to talk to.

https://www.slashfilm.com/968034/why-evil-dead-ii-couldnt-use-footage-from-its-own-franchise/ Why can’t Evil Dead II use scenes from its own franchise

Fry Electronics Team

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