However, the disease remains. In many ways, “Roxanne” is a movie about loneliness. CD is a man accustomed to entertaining himself, through the little songs he sings and the comic strips he performs, often for no one else, while going about his day. . And unsurprisingly, Martin revised the story to give it a happy ending, a choice not only of the times, but also of the twist in the genre. Now it’s a romantic comedy, and few great romantic comedies end with two-thirds of the love triangle being dead. Other adaptations followed “Roxanne” lead, such as “gender swapping.”Facts about cats and dogs“Or youth-centered”Whatever” and “Half of it – ironically, the 2021 version is surprising because it follows Rostand’s original so closely.
In the new “Cyrano”, the main change involves modifying the text for its star, Peter Dinklage – a man not as long as his nose but short in height. (Roxanne, played by Haley Bennett, has also thankfully changed from a blood relative to her “oldest friend.”) And it’s been revised to accommodate new songs, featuring seems to be condensed in the first chapters but will fly when the letter begins to write. The director, Joe Wright, creates a song for the three that is heartwarming from a love triangle, envisioning their harmony across split screens, the charismatic and erotic imagery barely softening.
In its best moments, “Cyrano” has done what other recent musicals like “In the Heights” and “West Side Story” do: It reminds us that singing can make a more vulnerable character (and actor) that exploits openness and emotion well-suited to this particular story of romantic longing. It also fits the theatricality of Wright’s style, a quality that is sometimes implicit (e.g., see his “Atonement”) and sometimes written (as in “Anna Karenina” by Wright). him), while giving off the ornate feel of a contemporary historical drama.
So why is the story, more than a century old, still so poignant and influential? The answer may lie in one of the scenes appearing in all three films, in which Cyrano first believes Roxanne is meeting him to confess her love, then she discovers that her feelings for her. for Christians. The devastation on Dinklage’s face is like a dagger to the heart – and familiar to anyone who has lived and loved at any time. Roger Ebert correctly identified it, writing in his “Roxanne” review that the play “still makes some sort of general impression, maybe because for all of us there are some attributes or subplots that we secretly fear people will make fun of. Inside every adult is a second grader who is still terrified of being laughed at.” And that could be the key to our identity. He’s the type of person we all like to picture ourselves – confident, brave and witty – and the kind of person we know – sensitive, inquisitive and sophisticated.
https://www.nytimes.com/2022/02/25/movies/cyrano-peter-dinklage.html Why is ‘Cyrano’ still so strong? Ask Anyone Loved.